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Kazakhstan
Sculpture, obsidian on Marble
Size: 3 W x 7 H x 3 D in
Ships in a Box
Important Notice: This sculpture was lost by FedEx during transportation. If you happen to find this piece or have any information about its whereabouts, please contact me, Russel Aguvayev, at curator@reddot.art or by phone at +1 (917) 774-0224. Your help is greatly appreciated, and I will be thankful for any information provided There are many ancient Greek legends about the Cretan half-man, half-bull Minotaur. Historically, the bull was the main deity of the Minoan civilization on Crete, and the Minotaur itself, according to legend, is the offspring of King Minos' wife Pasiphae and a sacred bull sent by Poseidon as a gift to the king. In the interpretation of Alexey Kanis the emphasis is placed on the divine origin of the half bull, its significant symbolic role in the culture.
Original Created:2013
Subjects:Animal
Sculpture:obsidian on Marble
Original:One-of-a-kind Artwork
Size:3 W x 7 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Kazakhstan
Alexey Kanis was born in St. Petersburg in 1983. During his studies, the future sculptor came up with his own stone-cutting direction and a unique plastic language, combining stone-cut sculpture with the physical embodiment of volumetric mosaic; he also managed to make several large projects in China and Russia and to interest several large galleries with his work. In an effort to simplify forms and cut off excess, Kanis inherits the ideas of the golden age of Greek sculpture from the times of Phidias and Polycletus, as well as the famous British abstract sculptor Henry Moore. Thanks to complete, laconic forms, even the most monumental works of Kanis look sophisticated and have a mesmerizing aesthetic impact on the viewer.
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