VIEW IN MY ROOM
Romania
Sculpture, Metal on Stainless Steel
Size: 36.6 W x 21.3 H x 9.1 D in
Ships in a Crate
The human figure is to me, up to this point of my career, the main inspiration source, a starting point for a continuous self-defining artistic-plastic experience. The Female Bell Ringers are a harmonious combination between complex geometry of the female body and the geometrical purity of a hemisphere. The approach of this theme generated a variety of particular cases that evolve from well relieved figurative to almost abstract sculptures. Along with works made of stainless steel belonging to the cycle The Fliers and Female Bell Ringers, in the Mirror Man the reflection angle and the deformation of the reflected image were conceived so that the viewers may explore their own appearance. The relation between sculpture and spectator becomes more complex as the universe reflected belongs both to the work and to the viewer, who takes possession of a virtual space by which he is swallowed at the same time. The self-reflexive interrogation to which the viewer is impelled acquires, due to the mirror curvature, a different dimension, as the image reflected does not maintain the proportions of the surrounding reality any more, nevertheless making possible its recognition by the viewer.
Sculpture:Metal on Stainless Steel
Original:One-of-a-kind Artwork
Size:36.6 W x 21.3 H x 9.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
The human figure is to me, up to this point of my career, the main inspiration source, a starting point for a continuous self-defining artistic-plastic experience. As I am continuously searching for new plastic solutions for a theme that appeared in the dawn on human civilization. The object found is also an important inspiration source to me. I melt the industrial object in anatomic forms so that the resulting figure may be apparently unitary, the artificial insertions replacing body fragments displaced or disappeared from the whole.
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