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Wall Sculpture. Geometric.
Wall Sculpture. Geometric.
Wall Sculpture. Geometric.

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Obscure Paths


Obscure Paths Sculpture

Elisa Sanacore


Sculpture, Acrylic on Wood

Size: 31.9 W x 22 H x 0.6 D in

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This artwork is not for sale.
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About The Artwork

Wall Sculpture on board. Mixed media (stucco, gesso, glue, and acrylic colours). Made in Milan (Italy) - 2017. 81W x 56H cm. Depth 1.5 cm. Comes with Certificate of Authenticity.

Details & Dimensions

Sculpture:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:31.9 W x 22 H x 0.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm an Italian self-taught artist. I'm interested to many different disciplines as Art, Psychology, Spirituality, Physics, Wellness and many others. I think that creativity means being curious, observing, being constantly able to adopt different points of view. I make art with that interdisciplinary vision, working on three fundamental elements. - SYMBOLIC REFERENCE The idea on which I work always comes from a symbol or an image with a strong symbolic reference. The processing of the idea is quit complex. My mind or external reality offers me many images, I looks at those images and wait that one of them gets a strong shock to my emotional center. When an image emerges from the kaleidoscope of images, I try to figure out how I could represent it using my personal artistic technique. - MATTER My personal technique is based on matter and colours. I like drawing on matter, as if it were a sculpture. I don’t simply draw or paint, but I impress the image on the matter. This is something of solid and durable The matter I use is a mixture of plaster, stucco and glue applied on a multi-layer plywood or masonite. The "design" is imprinted on the matter with metallic blades. Then I wait one or more days until the surface is completely dry. - COLOR BOLD I use mostly red, yellow and black, often gold and bronze. The dry surface is completely covered by the color, in a total absence of empty space (white space). The colours adhere to the matter forming one thing with it. This technique allows you to touch the artwork without fear of damaging it. The tactile experience is important as much as the visual experience.

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