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United Kingdom
Sculpture, Fiberglass on Steel
Size: 15.8 W x 118.1 H x 15.8 D in
Ships in a Crate
The sculpture is from a series inspired by totem poles and portal points to other dimensions, They act as pivot points between the past present and future. This cosmic middle finger guides you to look up to the heavens but also acts as a defiant gesture 'a fuck off' to current state of the world. It functions as apotropaic magic symbol warding off and protecting the owner from negative influences
Sculpture:Fiberglass on Steel
Original:One-of-a-kind Artwork
Size:15.8 W x 118.1 H x 15.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Bert Gilbert is a multi-disciplinary British artist. Her process is one of re-discovering a universal 'Sacred Heritage’, the foundation of primordial cosmologies (Mircea Eliade: Rites and Symbols of Initiation ) witnessed within myth, nature rituals, folkloric storytelling and music. Gilbert is creating her own mythology with each work forming its particular part of the sacred and secular whole. Her work is artefact, installation, wardrobe and performance. Laced with dark humour using a lexicon of hybrid symbology they create a visceral language of expression and simultaneously operate as elements of transferred emotional states. Her focus currently is exploring the dark feminine. Gilbert’s ritualised and obsessive methods are in turn energetic and meditative. What they make signifies a rite of passage, from one state to another, operating as alchemical relics of this transformation, in all their material sensuality. One can read this as both redemptive personal journey or a template for a societal shift. A calling for a ritualised rewiring of the collective consciousness in a high capitalist society obsessed with appearances alone.
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