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Small Crowd Sculpture

mary-ann beall

France

Sculpture, Paper on Paper

Size: 39.4 W x 17.7 H x 17.7 D in

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About The Artwork

I wanted to get the evocation of a crowd. This artwork is made of Arches Paper that I have previously printed. I rolled them and glued them in form of cones in order to have a crowd of elements that can be moved as on a chess game. It can be displayed like a dense crowd or on the contrary as the evocation of characters finding themselves in small groups on a square. This way, the dimensions indicated are according to the chosen layout. For me its was important to keep the idea of ​​a moving crowd. It is like a game were the user can move and display the elements the way he likes. The size of the package will not exceed 50 cm x 40 cm x 40 cm.

Details & Dimensions

Sculpture:Paper on Paper

Original:One-of-a-kind Artwork

Size:39.4 W x 17.7 H x 17.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Prints & Monoprints Drawings & Paintings Sculptures & Installations. SUSPENDED SPACE : Mary-Ann Beall was born in Anglet, Basque Country (south of France) in 1959, from an American father and a Basque mother. From 1977 to 1979 she studied art at the University of Michigan, Ann Arbor, and at the Academy of Art College,San Francisco. She moved to Paris – France - in 1985, where she currently lived and worked till 2022. She began her career as a visual artist by winning contests for the commissions of the “1% artistique” (a specific French procedure for the commissioning of works to artists that imposes itself on the State, its public institutions and local authorities through the authority of French Ministry of Culture). Beside her commissions for public buildings as a muralist, graphic designer and sculptor, and her private commissions for murals, architectural mosaïcs and design, Mary-Ann Beall initiated her own projects. She developed great skill to create mobile sculptures, interested in the changes of her works through variations of movement, light and shadow. Seeking tactile and luminous contrast, she explores shapes and textures with great freedom. Always in search of a balance between strength and fragility, her work is an abstract sensory invitation. With very few words, Mark Rothko wonderfully expressed what she is attempting to achieve: "I became a painter because I wanted to raise painting to the level of poignancy of music and poetry." Since 2010, Mary-Ann Beall focuses on poetic and environmental topics. Her work has been presented in solo exhibitions in museums, art centers and galleries in Paris - her installation project "Dépaysements, a polysemy of changes", was noticed in jury committee and obtained the support of the Paris City Hall and the Plastic Arts Delegation for a solo exhibition at 9CUBE at the 9th City Hall in 2010. Other French cities have financially supported and welcomed her proposals: "Poétique du Vent", 2012 and "Lambeaux Vifs", 2016, in Biarritz... Abroad, she was invited for her project "Small Worlds" in London, 2012 and for "Mandelstam, The Interlocutor" in Moscow, 2014. She is also involved in collective projects and exhibitions in France and abroad. Her works are found in public and private collections in France and abroad.

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