Under the spell of a vanishing loveliness Sculpture

"I find inspiration in my world of associations and my environment, like the forest, the city life, people, diving and all the bright colours underwater. Ensuing gestures and colour choice dictate the images that arise. I work out these images, drawing whatever presents itself to me, with no goal other than transmitting the impulse or desire of the moment, in an écriture automatique. The very moment of metamorphosis appeals to me; when drawing a line, I follow the process. I let the line transform. I make my drawings and paintings mostly on paper and on glass. When making a drawing on paper I use my favourite Karisma color pencils and mostly smooth heavy weight paper from responsible sources. Working with glass makes it possible for me to play with light and shadow, my drawings become vivid. Using a kiln I fuse different layers of glass at high temperatures. To reduce the ecological footprint I like to use up-cycle glass, like old window panes and bottles." Jan Giliam (1965, Amsterdam, The Netherlands)