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Je Suis Don Quichote (verbal no. 224) Print

Marit Otto

Netherlands

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About The Artwork

Drawing of a face, cut characters, 3 emptied cups of Surinam chutney shaped as a windmill, gesso, and acrylic on canvas on a wooden frame. How can names once given by loving parents have so much variation in spelling? A name is a name, right? I found countless variations of the name Don, as the Spanish write it; Quijote or what the English prefer; Quixote, or as the Dutch do it; Quichot, or the Italian way Chisciotte, or how the French spell Quichote and then another double tt variant of which I can establish no direct link with any language. Don, appears to be the fixed factor, it remains invariably Don. Could all this diversity possibly be caused by the fact that we are all somehow related to a Don Quixote. That we bear a Quijote within us, or feeling like one? A donquichot or quixotic is one who fights a hopeless battle, one who pursues vain and impracticable goals, or even worse one who is out of touch with reality, a madman? Was Chisciotte a pazzo, a fool, an idiot? Was he an unbridled idealist, a romantic......... may he have been.....was he an artist?

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Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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