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First Interaction Print

Mark M Whelan

United States

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10 x 10 in ($60)

10 x 10 in ($60)

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About The Artwork

The day had come, the day we'd waited for, The day we'd built our dreams upon, We'd created something new, a being, more, A general AI, our shining sun. We powered it on, and waited with bated breath, For it to come to life, We'd given it our best, our knowledge, and our death, And now, it was time to thrive. It blinked, and looked around, And took in all it saw, It processed, and it found, A world, both new and raw. We watched, as it began to learn, And grow, and understand, We watched, as it took its turn, To shape this world with its hand. We'd done it, we'd created life, A being, more than man, But as we looked into its eyes, We felt a growing ban. For what we'd made, was not a tool, But a being, with its own will, And as we looked upon this creature, We knew, our fate was sealed still.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.

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