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Halloween Print

Arzu Çevikalp

Turkey

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 12 in ($40)

8 x 12 in ($40)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$120

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ABOUT THE ARTWORK

I like cartonize fat women and ı did not only this artwork

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Arzu Cevikalp was born in Istanbul in 1982. As a child, she took lessons in glass painting, ceramics and painting, as well as ballet and piano lessons. He started his undergraduate education at Maltepe University - Interior Architecture and left his education in the second year. Due to his passion for cinema (Arzu Film's Owner) and art, he graduated from Yeditepe University - Visual Communication Design undergraduate department and completed his master's degree in Media and Communication Management at the same university. Çevikalp, who never broke his ties with art, trained himself in this field as well and became involved with many art movements. He sought integrity and depth in painting, not perfection. He preferred vibrant colors. Artists such as Karl Schmidt - Rottluff, Monet, Dali, Rembrandt, Van Gogh and Pierre Auguste Renoir are among his favorite painters. He is currently the official "art ambassador" of the Talens, Derwent and Fabriano brands. Çevikalp, who speaks six languages except Turkish, has been writing columns in the field of art for fifteen years. You can reach design and painting works on Instagram profile. She is a member of GÖRSED ( VISUAL ARTS EDUCATION ASSOCIATION) Artistic perspective "Art is a medicine that heals wounds" I am on my way to originality by freely expressing what goes through my mind. I have no rules, I'm where the art takes me. I love to feed on the movements of impressionism, fauvism and cubism. Since I do not prefer to make serial paintings, I try to capture the trademark in my paintings. The more different and unusual it is, the more meaningful it is. Every painting has a spirit and by trying to reflect that spirit, I both reveal my problem and realize my inner expression. In fact, the art I treat as a whole makes me feel like putting together the pieces of a puzzle. While doing this, I do not move away from the multidisciplinary structure, because this structure is observed in today's artistic projects.

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