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Letting Go - Contemporary conceptual art Print

Mike Heseltine

United Kingdom

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About The Artwork

Everytime I let go of the mooring in my small boat, I feel a sensation of complete freedom. The process of 'letting go' is an anxious one, but ultimately liberating. This feeling inspired the drawing above. The more we can let go of possessions, and thoughts, the more we open our minds to enjoy the life we have. While I draw, I enjoy the process of letting the drawing talk back to me. I encourage myself to do unpreconcieved marks and then reflect upon how they contribute towards the pattern making, meaning and composition. In this drawing, the lines depicting the boat, began to remind me of a coffin, which presented a whole new line of thoughts related to the subject 'letting go'. The boat and the process of dying are both journeys which demand we leave everything behind. The work is done on slightly tinted paper, with charcoal pencils. I enjoy the process of continually being focused on the subject matter and not being concerned with 'picture making'. This allows me to be bold and very free, with the paper and charcoal just being used to explore the subject matter. The result, especially if much rubbing out and corrections are made, produces an image that seems to reflect the genuine process of using the paper as an extension of thoughts. Most of these boat drawings were done on the West Coast of Scotland in the UK.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Living in Scotland and interested in producing works that speak back to me during their creation. I enjoy making unpremeditated marks and letting them introduce new lines of thoughts. I believe that if I maintain an integrity in this process, without diverting into 'picture making' or being concerned about any finished product, then the image will inherit a special quality, making it a catalyst for thoughts for other viewers. I used to paint large oil paintings but decided to simplify the process in order to concentrate on the subject matter. I tend to start with a single thought, often from a zen buddhist quote, koan or from the Dharma. I contemplate how this thought relates to me and something in my life, and then start drawing. I like loosing control of the pencil, or allowing it to become blunt and thus uncontrolled marks. This process of being very focused on my thoughts but allowing the drawing to be slightly out of control, presents the new lines of thoughts that I find so interesting. For instance, I did a series of drawings on paper depicting the moment I let go of the rope between my small boat and the mooring buoy. This moment never ceases to fill me with both joy and trepidation. In exploring the ideas with ink and pencil on paper, drawing with little attention to the actual lines on the paper, I suddenly realised that the boat I had roughly drawn resembled a coffin. A slightly morbid observation, but it introduced many new and unexpected images and ideas of 'letting go' and the journey we are on in life and death. This is why I now draw with just charcoal, pencil, graphite or ink on paper. There is a spontaneity and freedom which is born from the these materials, rather than using big canvases or more elaborate techniques. For me, this freedom generates the means to create images that have nothing to do with creating art and more about creating thoughts.

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