Roofs of the church in Cervera Drawing by Arta Garanca

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Roofs of the church in Cervera

Arta Garanca

United Kingdom

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About The Artwork

A typical church in Spain from historical times. It is currently not in use due to the small population. However, an accidental meeting led to an exclusive visit inside. It may look humble from the outside, with its simple clay tile roofs but the interior was hiding quite the opposite. It was rich, full of history and strangely the scale of the interior seemed so much more grand and impressive. It was a hot summer evening, I was sitting on the stairs leading down the streets of Cervera and sketching yet another view when a curious man with a photo camera stopped by to ask what am I doing. He turned out to be a local man who was recoding historical items and buildings in his area. Talks about architecture lead to an invitation to visit this closed church. This kind of meetings while travelling are the ones that remind of the eternal possibilities out there. The original drawing is on a 220gsm smooth paper, drawn with a 0.05 and 0.1 black felt pen. These pens give very fine and delicate linework, creating an impression of lightness.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Frame:White

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Although for the last 10 years London was my home (originally born in Latvia), currently I am a backpacker moving through Europe crisscross. In 2019 I left my office job in London and in late autumn headed out on a volunteering trip. I wanted to learn if I can find a different use of my architectural skills through natural building and learn to live with the unknown while having all my personal belonging fitted in one backpack. Drawing became my companion. I recorded the visual experiences of my journeys through the subject closest to my heart - architecture. Each drawing is not only an image, there is a unique story and location behind every one of them. And behind each story, there is a more personal experience. And the combination of it all is what I am looking to share with the world. The technique of black and white ink drawings was always attractive to me. Daring to work with a pen directly on paper was the very opposite of my character. The wobbly and chaotic line work became a rebelliousness against the fear of making a mistake. It's an attempt to break the notion of right, wrong and proper. Many lines that are seemingly all over the place in wrong directions come together to create the final image.

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