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9 x 12 in ($50)
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Meant as a concept piece for a larger body of work, Shift Shape: Toni Malone tells a character's origin story for a comic book I was able to publish in 2018. Her story is as follows: "Hailing from New Jersey, Toni suffered a dog attack when she was about 12 years old. It healed enough for her to go on a family vacation to the shore, however, once there, she accidentally reopened her dog bite while she was digging in wave pools. She was infected with amino acids, the building blocks of life, and took on some of their 'building' traits—she’s able to adapt and evolve at a rapid rate." If you look closely, the amino acids that affected Toni are present as organic chemistry notations in the top panel--as they flow into her bitten arm as she reaches for clams at the bottom of the wave pool. That 'adaptation' ability gained from this event is referenced through my appropriation of Charles le Brun's evolutionary sketches in the background of the bottom panel. For the audience, I wanted to create a singular image that tells a story--and tells it in a way that unless they are searching for it, it just comes across as interesting imagery. I wanted there to be something new and fresh in the image everytime someone looks at this piece, while still making significant reference to it's place in art history. Inspired by a desire to fully form a human being from scratch and make an imagined person as real as possible, the reference for this piece started with a rough photoshop collage. The figure herself is made up of nearly 22 different layers scavenged from multiple different images of women, both found and personally referenced. I chose the multimedia method and the semi-realistic style because I felt the truest way to make this imagined character feel real was by putting considerable time and effort into it. If I wanted to build this story, I had to literally build the imagery around it, both conceptually and physically. There are 7 layers in total in this piece: A colored pencil line sketch, light acrylic wash, mid tone watercolor wash, protective spray fix and matte media, deconstructed oil wash, and a final colored pencil layer. Each layer was both additive and subtractive, which granted it it's physicality.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Clare Dunn has been living in the belt of the Ohio River as long as she can remember--her life has been a slow sojourn Northward. Growing up, she lived in Walton, Kentucky, and never truly settled on a primary school. At 11, she was accepted into an advanced high school, Covington Latin, which allowed her to graduate early, at the age of 15. At 16, she enrolled in Xavier University. Currently, she resides in Cincinnati, Ohio. She likes cats, secret codes, coffee, and conspiracy. Art-wise, she likes gestural linework, intuitive anatomy, evident labor-intensity, and brilliant color. She believes in the accessibility of art to the public, going so far as to encourage physical interaction between audience and her own work and allowing mass production and low-brow imagery to trickle into her more "fine" pieces. -------------------------------------------------------------------------------------- My work can be split into three categories--Fine Art, Illustration, and something in-between. There's a lot of blending between the two, but typically, my fine art work is most interested in depicting reality, and is typically constituted of a mixture of portraiture and figurative imagery. My illustrative work is usually long-term imaginative projects. I just finished exhibiting The Internship, a process show depicting the character creation, world-building, and execution of a self-written, illustrated, and published comic book of the same name. The Internship spanned 8 years, go further back than my undergrad career, and which I will most likely continue indefinitely. (If you are interested in my comic book and it's non-fine art counterparts like stickers or t-shirts, please visit my etsy website.) My in-between work is actually mostly consisted of zines and project books. The actual format is easily reproducable, making it less "fine", and heavily design influenced. I take great care to ensure the imagery constituting these little project books is finely crafted. These are typically glimpses into daily life and applicable poetic phrasings.
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