2
"Shift Shape: Toni Malone" Fine Art Print
$112
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Meant as a concept piece for a larger body of work, Shift Shape: Toni Malone tells a character's origin story for a comic book I was able to publish in 2018. Her story is as follows: "Hailing from New Jersey, Toni suffered a dog attack when she was about 12 years old. It healed enough for her to go...
Year Created:
2017
Subject:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
12 W x 16 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Clare Dunn has been living in the belt of the Ohio River as long as she can remember--her life has been a slow sojourn Northward. Growing up, she lived in Walton, Kentucky, and never truly settled on a primary school. At 11, she was accepted into an advanced high school, Covington Latin, which allowed her to graduate early, at the age of 15. At 16, she enrolled in Xavier University. Currently, she resides in Cincinnati, Ohio. She likes cats, secret codes, coffee, and conspiracy. Art-wise, she likes gestural linework, intuitive anatomy, evident labor-intensity, and brilliant color. She believes in the accessibility of art to the public, going so far as to encourage physical interaction between audience and her own work and allowing mass production and low-brow imagery to trickle into her more "fine" pieces.
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My work can be split into three categories--Fine Art, Illustration, and something in-between. There's a lot of blending between the two, but typically, my fine art work is most interested in depicting reality, and is typically constituted of a mixture of portraiture and figurative imagery.
My illustrative work is usually long-term imaginative projects. I just finished exhibiting The Internship, a process show depicting the character creation, world-building, and execution of a self-written, illustrated, and published comic book of the same name. The Internship spanned 8 years, go further back than my undergrad career, and which I will most likely continue indefinitely. (If you are interested in my comic book and it's non-fine art counterparts like stickers or t-shirts, please visit my etsy website.)
My in-between work is actually mostly consisted of zines and project books. The actual format is easily reproducable, making it less "fine", and heavily design influenced. I take great care to ensure the imagery constituting these little project books is finely crafted. These are typically glimpses into daily life and applicable poetic phrasings.
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