VIEW IN MY ROOM
Some Things are Impossible? Print
United Kingdom
Select a Material
Photo Paper
Select a Size
8 x 10 in ($60)
Add a Frame
White ($80)
Artist Recognition
Artist featured in a collection
About The Artwork
Collage of vintage paper with a border of distressed floral paper from the 19th century. The dates range from the last two centuries up to the 1960s. The blue shield and light blue paper come from a pounds-and-shilling chequebook from the Bank of Scotland. The picture shows you can look for a bigger sky and bigger answers. There is a strong uplifting dynamic complete with flowers and flourishes. Some people see birds or an angel. The collage has been created on a cradled wood panel and treated to archival standards to preserve the colours of the paper. The wood has been sealed with Golden GAC 100, the paper coated on both sides with Golden soft gel medium and the picture given a final layer of protection with Golden UV matte varnish. The collage wraps over the sides of the wood panel and requires no frame. The picture has been wired and is ready to hang. Signed on the reverse with description and title.
Details & Dimensions
Print:Giclee on Photo Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
You’ll usually see me thinking about composition, playing with pattern and testing spatial relationships, that sort of thing. As for anything else I think about how it affects all the above. I enjoy looking for unlikely structures and trying out fleeting interractions. The question of balance is never far away. When it comes to meaning, the torn and faded materials in my collages show where man has been. I suppose everything reflects an unidealised view of humanity. But I’m also attracted to the opposite, the wide expanses of nature (especially the sea) where there’s not much humanity at all. My influences may not be apparent… I keep coming back to Cézanne and Matisse.
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