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Ablutions of Half-day Print

William Rafael Marquina Buitrago

Ecuador

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About The Artwork

In this series titled "Poli-sarcasms", paintings of a pictorial and romantic realism are synthesized with minimalist symbolic elements of the graffiti type, simple, fast, instantaneous. The purpose is to try to overturn or divert the concept of a painting previously made and that serves as an imaginary basis for overlapping ironic graffiti elements, with the sole intention of changing the anticipated pictorial message (this is generally a romantic style realism or impressionistic Landscapes, fruits, interiors, etc.), overlapping with his reading a theme of political consonances at a symbolic level whose original message is synthesized to ridicule and at the same time distort a political theme and thus broaden the concept of the work. In this case the painting I did previously in 2010 and treats the romantic theme of the outdoor baths of three indigenous women in a river with abundant vegetation characteristic; The subject changes dramatically when incorporating on this painting the following graffiti: the silhouette of a figure of black color and in a comfortable position lying on the riverbank and in the middle of the two indigenous women who are taking the sun, and the boats of colored paper Red that drift down and without any control by the tributary, while one of these boats is turned over everything indicates that sooner or later the others will fall as well. The issue now changes because it now represents a sarcastic game about the perverse politics of a state that is uncontrollable and at the same time seeking to identify itself (black silhouette) preferring to corrupt structures to accommodate and thus disconnect from all responsibility on the political, economic, Social and cultural rights of Venezuela.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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