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India
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9 x 12 in ($40)
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An August Evening Acrylic on Gallery Wrapped Canvas, Framed in a Golden Edge Frame 20in x 30in ~Priyadarshini Ohol I have been in Himachal Pradesh, in Dharamshala where the Dalai Lama is for a while now. About 3 months. It rains around this time, a lot. The other day it was clear so I went down to the bus stop and hopped on the first bus that came along. It took me a long way away. I devoured everything I saw, and then when the last terminal came, I was presented with this Sky View. It was just too beautiful, like a painting. I kept staring and staring. I wanted to take it home with me. I've been wanting to take pieces of the sky home with me since I came here. So I started working on the series. The day after I came back, I started painting this scene from my mind's eye and now I have it right here. The Sky on a August Evening in Himachal. It is beautiful. And I'm glad it was my muse.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Priyadarshini Ohol came to the arts after a ski accident equipped with a degree in Mechanical Engineering and experience in business and high impact socio-political activism. Post recuperation, Ohol spent years in her Himalayan studio in Dharamshala, establishing an influential, independent, avant garde practice which finds expression in painting, performance, video, performative painting, butoh, poetry, articles, interdisciplinary immersive installations, experimental and collaborative works. This examination and transformation of misery, fate, human experience into thriving life rooted in radical self care, scientific inquiry, authenticity, freedom, play is at the core of her art practice. Ohol’s sensitive multilayered performances play with perceptions, challenge norms and change art landscapes. Derivatives of her work appear, the subjects she examines and the language find their way into variegated vocabularies. Yet, her abstract expressionist canvases clearly indicate her irreverence for categories betraying a fierce need for artistic freedom. She says her work includes stream of consciousness art, yet given it’s reflexive dynamism, it is best described by the term agile art. Ohol’s is a complex social practice examining the self in relation to the world, equality, exclusion, inclusion, identity, belonging, dehumanization, discrimination, casteism, freedom, sexuality, gender, feminism, possession, dispossession, ethics, classism, displacement, fraternity, regional and global politics, the politics of locations of the body, the meaning of art, possibilities of artistic cultural impact and artivism in an increasingly changing, conflict ridden, technologically driven, globalized, fragmented world.
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