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United Kingdom
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Fine Art Paper
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10 x 10 in ($50)
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White ($80)
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Artist featured in a collection
A new piece in a series of paintings which use crumpled confectionary wrappers as their subject. Painted in a reductive style with little or no blending of colours on the canvas. This piece is intended to explore the superficial attraction of reflective objects. In the case of packaging, such as the subject of this piece, that superficiality is both literal and metaphorical. Inspired by Aldous Huxley's essays in 'Doors of Perception' and by the jewel like objects all around us which are disposable but which can display all the beauty of a finely carved and gilded object. These objects are simultaneously intrinsically attractive and ethically repellent given the waste they create. The ease with which such attractive surfaces, finishes and objects are created is at odds with the enormous effort and cost that was historically associated with them and as a society we don't seem to have quite got over our ability to live surrounded by aesthetic luxuries previously only available to the very rich. Rarity was once a component of the attraction of such materials but clearly is not a necessary one as these materials and finishes continue to exert a strong influence on people despite their knowledge of how easy and cheap they are to produce. This painting is matt varnished and ships wired ready to hang without a frame.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.
Artist featured by Saatchi Art in a collection
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