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Composition with lobster Print

Andy Zhytlo

Ukraine

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About The Artwork

The work belongs to the painting series ‘Natural & Instinctive’, dedicated to the symbolic and allegorical visualization of vitality as the fundamental basis for the existence of all living things. The vertically divided square combines a stylized image of a lobster (to the right) and the ornamental vegetation (to the left). It is a succinctly encapsulated theme of the naturalness and power of instincts, which a person should never get rid of completely. The composition excites our physiology of senses, because the delicacy predator emits suppressed aggression and danger. Delicate emotions and gentle imagination are not expected here, the only thing that is important is the authenticity of biological survival. The internal dynamism of the image is ensured by the symmetry of the patterns on the proportional shell of the lobster and the movable curliness of the fabulous and possibly deadly plant portrayed on both sides. They also remind us about the playful nature of vitality and the unpredictability of stimuli or irritants that are not only nourishing, but can also bring pleasure. Uncompromisingly clear contrasting colors reject the unspoken and half-shadows, and instead of doubt they point to the inevitability of perception of one more goal as the ultimate motivation and condition of existence – the lobster, the unknown plant, and ourselves. My painting can evoke both short-term and long-term associations at any time of day or night. A thematic visualization in question will help to identify, quicken or slow down the incessant movement of your subconscious instincts, no matter where they are – in the office, in a restaurant or (why not!) in a bedroom.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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As a child, when I attended art school, I drew many classic still life paintings and etudes. At the time, I read a lot about Renaissance artists and wanted to be like them in my craft. That was the period when a vision of myself as an artist was formed and I made a lot of efforts to become one. After graduating from the Art College, where I studied the skills of academic drawing and painting, I entered the Faculty of Monumental Painting of the Lviv Academy of Arts. And here everything changed. I realized that I wanted to move away from the academic school and hyperrealism, and in my work I began to think in forms and images. My approach to creating works has changed dramatically. In my works, I mostly began to go by the format in which I work, and the visual elements emphasized the structures of this format. After graduating from the Academy of Arts, I spend most of my time doing graphic, web and UX design. I often wanted to paint something, but due to the busy schedule it remained in my dreams. And then COVID-19 and the quarantine changed everything. There are no better conditions for creative work than isolation. The time when you are left alone with your thoughts, ideas and the opportunity to share a part of yourself, and perhaps with the chances to find people who share your views on the aesthetics of things, is the most favorable and motivating for creating something new. In this case, I just wanted to pay attention to some simple things that surround us every day, and emphasize their nature through the associative series.

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