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United States
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10 x 10 in ($41)
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White ($80)
We approach this painting through a narrow canyon, called a defile in New Mexico, as if we're parting curtains on a play. Far away a cloud of crows gathers; in the Zen tradition, monks are jokingly referred to as crows. Closer to us a woman makes her way down a path to join the conclave. The group is held by the massive spires of desert hoodoos deep in the distance. To my mind, this is an image of hope--a gathering of Desert Fathers and Mothers in an imaginary future in which climate change has gone as badly as scientists imagine it will. A gathering of people of depth and wit, raucous and alive despite the beating sun. These paintings began with heavy-handed thumbnails of a desert where crows circle above crosses growing from dry hills. These lay fallow for months, coming to life this past summer with a series of paintings of mythic mesas. I began drawing from these seeds, exploring variations and permutations, until I’d discovered a vocabulary of line, space, contrast, shape and feeling. I then began painting. Working on 4-8 panels at a time, I built an intuitive texture-drawing. Then through underpainting I continued the exploration begun in the drawings, finding forms and images, still working on the whole group as a suite. Lastly, I sharpened form through color. Each part of the process revealed more of the story. And the story is about the good news of impermanence, hidden in the bad news of climate change. It’s about a pilgrimage in an inner desert through which faith is found and cultivated. Where desire scorches until it burns itself out, leaving gravestones and an ineffable light.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I make art that connects. Art that connects us to place. To shared heritage. To our bodies, to our present moment, and to our practices of contemplation and community. My work is centered in creative practice--an extension of contemplative practice. I draw inspiration from a big well: from the land, from relationships in community, and from the increasingly connected international world of post-minimalist, process-oriented painting. I think of myself as a kind of activist--a soul worker, let’s say. Vision is my job. As artists, it’s our job to gestate new vision, birth it, and nurture it, introducing it to our communities and letting it change into the needful thing, over and over again. I take this on because I believe we need new vision--that we always do, in fact. I take this on as the best thing I am fitted to, the most frighteningly wonderful thing I can imagine, the best use of my impermanent life. We’re remodelling our understanding of our relationships to ourselves, to our communities, to our global culture, and to the earth itself. We’re retrofitting our culture, because retrofitting is the least violent, the least wasteful, and the most living way to approach the redesign of the human structures we live within. I'm a New Englander living in New Mexico. Grew up stretched between Boston Brahmins and the New Hampshire woods. Studies in philosophy and psychology, especially yoga and meditation, from late adolescence. Studied, choreographed and performed Butoh, contact improvisation, and other forms of postmodern dance. Embodiment and presence form the cornerstones of my creative practice.
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