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Dad Print

Paul Harris

Australia

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16 x 20 in ($240)

16 x 20 in ($240)

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About The Artwork

Oil painting is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium. The oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss.

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 20 H x 1.25 D in

Size with Frame:17.75 W x 21.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Paul Harris is an artist who lives and works in Brisbane, Australia. His main interest is portraiture and figurative painting. He has studied for several years at the Institute of Art at Windsor in Queensland. He has had several group exhibitions and is represented by The Norbertellen Art Gallery in Los Angeles. At present he is working out of The Cabin studio at Tarragindi, Brisbane, which is run by Jugglers Art Space. His aim is to give a sensual and tactile impression on the surface of the linen. The portraits draw upon a range of cultural influence such as Late Baroque, mid 20th century and contemporary style and horror. The artist wants the reader to be both enchanted and repelled by his work. He primarily works in oils and pastels and finds portraiture fascinating as a means of artistic expression. It is one of the oldest forms of art, the creation of life like images from coloured pigment. The contours and features of the face, and the skin tone and texture always present a compelling challenge to the artist. He likes to experiment with colour in his portraits and particularly with flesh colour which can provide a sensual element to the portrait. His aim is to project an image to the viewer of the painting and hope an exchange takes place between the viewer and the work. He wants the viewer’s imagination and thoughts to meet the work of art halfway.

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