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Oil, spray paint, charcoal and acrylic marker on linen. Electronic Voice Phenomena (EVP) are sounds found on electronic recordings that are interpreted as spirit voices that have been either unintentionally recorded or intentionally requested and recorded. This painting layers a repeated sound wave pattern over a 1938 Pan American World Airways advertisement for Egypt. The sound wave is taken from a recording of EVP, supposedly from the EgyptAir 767-300ER plane crash.
Original Created:2016
Subjects:Travel
Materials:Canvas
Styles:ConceptualPop ArtFine Art
Mediums:OilSpray PaintCharcoalAcrylic
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Born 1993, Newcastle-under-Lyme. My work tends to be populated with image fragments harvested from the dystopian worlds offered by sci-fi cinema. An on-going interest in digital culture(s), advertising and social media platforms has informed the subject matter I composite as painted layers. I am beginning to associate "lag" with positive attributes like the time to reflect (through painting), in opposition to the more normative, technological shorthand for a deficit in functionality. The imagery explored in my recent work tends to linger with notions of loss, where the presence of technology seems to provide some form of compensation. The pictorial spaces in my paintings have an intimacy informed by cinematography, fleeting moments on-screen have been materialised in oil paint over protracted time. Objects used as narrative signifiers are both depicted and re-experienced as props. The process of materialising these objects and presenting them within the gallery space alters their original narrative significance, giving them a new expressive role to play. By using new technologies to process product-like objects that quote from cinema, literary fiction and art history, these hollow replicas serve as an uncanny presence in tandem with my paintings.
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