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Oil, spray paint, charcoal and acrylic marker on linen. Electronic Voice Phenomena (EVP) are sounds found on electronic recordings that are interpreted as spirit voices that have been either unintentionally recorded or intentionally requested and recorded. This painting layers a repeated sound wave pattern over a 1938 Pan American World Airways advertisement for Egypt. The sound wave is taken from a recording of EVP, supposedly from the EgyptAir 767-300ER plane crash.
Original Created:2016
Subjects:Travel
Materials:Canvas
Styles:ConceptualPop ArtFine Art
Mediums:OilSpray PaintCharcoalAcrylic
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:31.5 W x 47.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born 1993, Newcastle-under-Lyme. My work tends to be populated with image fragments harvested from the dystopian worlds offered by sci-fi cinema. An on-going interest in digital culture(s), advertising and social media platforms has informed the subject matter I composite as painted layers. I am beginning to associate "lag" with positive attributes like the time to reflect (through painting), in opposition to the more normative, technological shorthand for a deficit in functionality. The imagery explored in my recent work tends to linger with notions of loss, where the presence of technology seems to provide some form of compensation. The pictorial spaces in my paintings have an intimacy informed by cinematography, fleeting moments on-screen have been materialised in oil paint over protracted time. Objects used as narrative signifiers are both depicted and re-experienced as props. The process of materialising these objects and presenting them within the gallery space alters their original narrative significance, giving them a new expressive role to play. By using new technologies to process product-like objects that quote from cinema, literary fiction and art history, these hollow replicas serve as an uncanny presence in tandem with my paintings.
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