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VIEW IN MY ROOM

Elsa: Teacups Collection Print

Julie Lynch

Australia

Open Edition Prints Available:
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Acrylic

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10 x 10 in ($50)

10 x 10 in ($50)

16 x 16 in ($82)

24 x 24 in ($140)

34 x 34 in ($232)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$130
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About The Artwork

Step into the charming world of vintage elegance with my 1930's Patterned Teacups Collection. Transport yourself to an evocative era where teatime was a celebration of exquisite patterns and delightful colours. Each teacup tells a story of craftsmanship and sophistication, captured in the delightful style of 'Pattern on Pattern'. Crafted with meticulous attention to detail, this Open Edition print invites you to revel in the beauty of contrasting patterns and glorious colours. With your choice of sizes and materials this print promises to enchant any space it graces. Dive into a kaleidoscope of intricate designs, where vibrant hues dance harmoniously against a backdrop of timeless elegance. From bold geometric motifs to delicate floral patterns, each teacup tells its own unique story, inviting you to explore a world of endless possibilities. This open edition print is a testament to the craftsmanship and attention to detail that defines my work Part of a Collection of unique prints, they stand out solo or as eye-catching groups. Indulge your senses and immerse yourself in the beauty of a bygone era with my 1930's Patterned Teacups Collection. "Enjoy!"

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As an artist, I've been immersed in creativity since my earliest memories. Drawing, painting, and crafting have been my lifelong passions, nurtured from childhood and continuously evolving. It's a path I couldn't imagine deviating from. My artistic journey has been an ongoing process of observation, practice, and absorption of diverse influences. Exposure to both historical and contemporary artistic greats, coupled with personal experience and educational pursuits, has enriched my craft. Residing near the picturesque Cooks River in the Inner West has blessed me with a daily dose of natural inspiration, from kookaburras to cockatoos and the native flora. I've cultivated my recent series using locally grown flowering gum blossoms, capturing the vibrant scarlet blooms that adorn the streets of Marrickville every January. I firmly believe that inspiration is ever-present; you simply need to pause, observe, and embrace it. In my artwork, I infuse ceramics and textiles, each with its unique narrative. These pieces, whether wonderfully vintage or contemporary treasures, often hail from my travels. When I incorporate, say, a Portuguese bowl into a still life, it transports me to cherished memories, infusing my work with deeper significance. Flowers, intertwined with the memories these objects hold, channel my focus and inspiration. Certain blooms evoke distinct associations with place, culture, and memory, offering an escape from the daily hustle and bustle. I'm drawn to the power of a limited palette, finding it akin to working within a precise design brief. Constraints empower creativity, encouraging earlier experimentation and sparking one's imagination and initiative. Contrastingly, an open colour palette can sometimes muddy the waters with too many ideas in play. For instance, my recent series was inspired by the bold colour combinations of Clarice Cliff porcelain from the early 20th century. Pattern, to me, is a form of textured storytelling. Whether through brushstrokes forming patterns or well-recognised designs, I embrace them all. Patterns enrich my work with history and meaning, offering viewers an intricate layer of interpretation. In these works, I seek a focal point that guides the viewer's eye through the details, ensuring a balance between intricate elements and simplicity. My art gravitates towards bold graphic realism, incorporating impasto to infuse depth and tactile qualities.

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