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Esodo 3 Print

Paolo Terdich

Italy

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16 x 20 in ($140)

16 x 20 in ($140)

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ABOUT THE ARTWORK

Portrait of a group of refugees leaving their homeland at the end of the Second World War, during the Julian-Dalmatian Exodus of 500,000 Italians. The work is freely taken from a famous photo of the steamship Toscana, which in ten trips, between February 2 and March 20, 1947, transported a total of 16,800 Istrian refugees from Pula to Venice. In the composition I left the figures and household goods, vaguely defined, trying to render an atmosphere of pain, anxiety and resignation as a whole, and I wrapped the scene in a blanket of fog, to enhance the feelings of uncertainty towards their destiny and give a surreal representation of emptiness, almost metaphysical. The work recalls one of the themes of romanticism, of the wayfarer, of the stateless; a hero who has surrendered to the world and its destiny and ventures into its dramatic future. In addition, the characters are portrayed from the back, and this induces the observer to identify with the figure of the exiles and to penetrate their psychological and emotional situation. Personally, given my origins, I am particularly attached to this sad story, which I believe has not had due prominence in the past, and represents an issue that still divides, unleashing controversial (sometimes surreal) positions in Italian political and public opinion, even recently, and which represents a page of history that for many years Italy has wanted to forget. This is the fourth work of the project that represents a tribute to the memory of the victims of the foibe and those (including my family), forced to exodus; A tragedy that needs to be remembered in its correct historical perspective.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 20 H x 1.25 D in

Size with Frame:

17.75 W x 21.75 H x 1.25 D in

SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Piacenza (Italy), where, after having lived in various Countries, I currently live and work, I am in a constant creative challenge to make tangible in my paintings the human feelings. My works were exhibited worldwide and have been acquired by numerous private collectors, galleries, art institutions. In 2022, I have been invited to exhibit at the 59th Biennale Arte di Venezia, in the Granada National Pavilion, and I had a solo exhibition in New York. Some of my works won numerous international prizes and my activity has been reviewed and published in various art magazines and books. I am also a co-founder of the artist group “Eoykos”, composed by six Italian artists of figurative expression. This Movement was created (in 2011), to eventually demonstrate, in equilibrium between Surrealism and Metaphysics, that figurative art is still a privileged mean of communication, aimed at transmitting human emotions. My favorite subjects are human figures represented in situations of intimacy and solitude, in metaphysical and surreal atmospheres, both in confined environments, where their inner torment is expressed, and in aquatic environments, from which a profound sense of quiet emerges. The aim is to render detailed figurative subjects, characterized by luminous surfaces and compelling images that offer a combination of disquiet, uncertainty, urgency, calm, and spirituality. Meditative in tone, I also try to exalt the light, to obtain paintings pervaded by uncommon atmospheres and shot with an evanescent brightness. Although my works are often associated with hyperrealism, I am not particularly interested in the mere representation of the real. My expression is aimed, instead, at recreating atmospheres that lead beyond the visible, to penetrate the inner world of emotions. Accordingly, the figures, rather dynamic, are suspended in a surreal atmosphere, with a post-impressionistic dim light. My realism is, hence, silent, intimate, containing an unspoken, mysterious narrative, which offers psychologically loaded presentations. This atmosphere has been, finally, emphasized in the works “waters”, where natural light and filtered light breaks the subjects in a multitude of dynamic reflections. Within such balance, the human beings seem to live in a precarious balance that belongs to peace, harmony and beauty.

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