VIEW IN MY ROOM
everyday Print
South Korea
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Fine Art Paper
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8 x 10 in ($40)
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White ($80)
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Artist featured in a collection
About The Artwork
I explore something about people through my work, express culture, and express the sum of life that people's lives have created with my own body. The formal feature of the work was to reveal the boundaries between peeping and revealing within us by expressing the body hidden by the silhouette. The piece is mainly part of a reenactment to express aspects of various situations on a single screen by double-touch the screen, suggest unstable, black-and-white clashes through emotional depictions of one's inner pain or depression, while openly revealing obsessive and divisive sentiment. Because works formed through this formal method are related to symbolic elements, each piece gets a small meaning and a message. Some of the works were recreated based on experience and circumstances that hurt me. It redefined the perception of identity problems from individuals, and because of the self-healing universality as an inherent wound as a starting point for question consciousness. The labor force itself has been emphasized as a body that reproduces cultural achievements, and as another body. The mind is based on the body, and the body moves on the basis of the spirit. The body in the work is also a question of the duality of consciousness and the covering of dance.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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South Korea
I want to make the energy of thinking into a picture. To paint, I must first be free-hearted, keep my emotions bright and clear, and try to empathize with myself and others through painting. To convey healing through the work, I think my own mind is healing and overflowing with joy, creating a wide world. Instead of drawing to paint, the idea that comes from the mind naturally comes out and paints a picture that is not rigid. Since I live in the face of a batter, and the batter is on my face, it is clear that I want to see myself indirectly through the face of another without suppressing myself. We seem to have our own way, but we live by creating a variety of personalities, a grain and a pattern. The face is the soul of the body. ... The identity of human patterns is society. I would like to emphasize that pattern because it has a unique meaning that cannot be reversed into the psychological system. The face is a phenomenon, but the face of the batter often represents itself as opposed to the usual. And there's something in it. Regardless of my expectations or predictions, the batter informs himself outside. Maybe at bat. I do not want to maintain the time of demotion without suppressing myself or oppressing others, but rather to maintain a relaxed and positive perspective while expressing my own patterns and textures.
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