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for ever young - Fountain of youth Print

Margarete Golz

Germany

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About The Artwork

Fountain of youth (beginning November 2020, completed January 2021), oil on canvas, side panels 120 x 60 cm, middle part 120 x 100 cm This subject relates to questions that keep occupying me artistic endeavor: "What is beauty? What time? What`s about life and death?". Confrontations with old age, illness, and having to die evoke the longing for everlasting vitality. You don't just want to keep and maintain the condition as it is, you want even more: optimize and perfect it again and again. My 3-part picture, inspired by a painting done by Lucas Cranach (the older) 1545, contains the striving for eternal youth, the vision of inexhaustible vitality for women and men equally. The central part of the picture is a bubbling fountain, which promotes the pure love of life. Even if the desire for never ending life energy is a serious and arduous affair (left part), my picture is a happy and sensual work. Happy, freshly bathed people devote themselves exclusively to enjoying the moment (central part) and then - visibly astonished and strengthened – are climbing an infinite staircase pointing into the horizon (right part of the picture). The work took nearly 3 months until I could complete it. Bevor I started I did a lot of sketches, nude drawings, landscapes, types of fountains. I had to decide a lot: which kind of weather? Which kind of trees, buildings, rocks? Which colors should I use, cold or warm? I used several layers of oil color (and time!) to convert my idea into a pictorial space.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 6 H x 0.1 D in

Size with Frame:17.25 W x 11.25 H x 1.2 D in

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Born in 1957 in Borken/Westfalen, Germany, Marga grew up in a pretty bourgeois family. She made her way against her parents expectations. She finished university with a higher degree in fine arts. She devoured books from Hermann Hesse, idolized Buddhism, lived in grief for a better world and was disappointed by the lack of creativity in the art lessons at school. Drawing for her has always been a way for retreat while gathering energy to manage conflicts. During a period of social service for the community she found entry in art classes at the University of Kassel. Again, disappointment arose from the rigid way of thinking by the professors. "The best teaching I got from my senior mates", Marga reflectes about her early studies. The heart of her work has always been the oil painting. Marga Golz` early work is closely associated to the magic realism. Achieving the final color through multiple coats of paints according to the old masters is a technique she still applies today. Her paintings on the switch of contemporary issues over times cover the periods from renaissance to modern computerized art. Figures of men and women pregnant with meaning and carefully dissected. Taking her subjects into geometric and multi-faced pieces Marga has devoted herself to the cubism. The compositions of her paintings are frequently based upon real objects, dreams or derived from personal experiences or visions. Sensuality and effectiveness are the drivers for creating scenes of human encounter which should translate into a story or fairy tale. During the process of painting the focus on the final work gets constantly challenged and broken by covering colors with different layers of pigment, changing forms and shapes or moving and mixing of borders and structures. This ends up in specific and unique dynamics and rhythm in each piece of work. Every new object is going through a cycle of spontaneity, simultaneity, manifoldness and poetry of life. This is how Marga makes us aware the uniformity and exchangeability of the world around us.

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