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United Kingdom
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8 x 10 in ($40)
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White ($80)
Highland Scullery is an original Scottish interior painting by Derbyshire based Scottish Artist John McDonald, following a visit to the Isle of Harris in the Outer Hebrides, the Western Isles of Scotland. Inspired by the work of John Maher, fine art photographer, and former Buzzcocks drummer, with whose kind permission the artist has created Highland Scullery. The painting is based on Baby Blue from Maher's Nobody's Home series. The artist was haunted and beguiled by the prevalence of abandoned crofts in the Outer Hebrides: former Scottish Island homesteads. These beautiful little buildings are slowly decaying, being reclaimed by the land and the wild highland weather, and yet are so full of memories. The ruins tell the stories of past lives, and whisper the secrets of the families who lived there, with all kinds of objects and possessions remaining: keys, clocks, photo frames, furnishings, even a stove top kettle. Highland Scullery is a sweet little painting that comes ready to hang: large enough to be a striking focal point, and small enough to fit in to any family home. This painting would be particularly treasured by enthusiasts of Scottish heritage, and by Aga and Rayburn stove enthusiasts. Highland Scullery has a wide appeal through its combination of both extremely contemporary, and vintage or retro, elements.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Born in a Glasgow tenement in a sectarian district, I left school with a piece of paper (no certificates) saying that I was deaf and would be best employed in a noisy environment as everyone would be similarly disadvantaged. Born under the image of Christ of St John of the Cross by Salvador Dali. This huge painting in Kelvingrove art gallery seems to have an impact on me becoming an Artist in my 50s. Can I say that I spent years of my childhood evading gallery custodians and sliding along the polished floor under this painting? Unknown to me at the time, this painting by Dali, with its dynamic perspective and monumental scale, planted the seed for a love of art, and awakened the soul of this deaf kid from Drumchapel. When I first picked up a piece of charcoal as an adult and started to draw, it was a version of Dali's Christ of St John of the Cross which I created. Following a decade working in noisy environments, my real education began: in a Merseyside Unemployed Resource Centre. Training to become a Welfare Rights Officer I became hungry for education. In becoming mentally astute in the law, politics, and history that inform welfare and union work, I found, with naivety, myself. My fine art practice is informed by the dual and equal passions of my life: a passion for creative arts, and passionate campaigning for social justice. I have always been involved in the arts, through theatre, film, directing, and spoken word performance. For a long time I needed to shout, and I used performance to shout publically, about abuses and inequality I witnessed in mainstream services, to shout out for social justice, and educate on behalf of silent minorities. I am profoundly deaf and found that being involved in the arts was a way of being included. I started painting about 6 years ago on an old van that had been converted as a camper, just a plain white van that became a giant 3D canvas. I was conscious of passers by either watching or commenting, both were a challenge because of deafness but it was this situation that allowed me to be more included in my community and society in general. People liked my work and over a period of years as the van canvas was filled so was I, with confidence and more involvement with passers by, some who became friends. My painting is both the catalyst and the fruition of a personal journey towards peace.
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