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United Kingdom
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8 x 10 in ($40)
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The first painting in the 'Ime' series. Depicting a scanned negative image placed as a glowing screen within the painted frame work of a future looking Iphone. If a photograph of the painting is taken and turned positive, the colours reveal a doppleganger of the original photo in colour. However slight imperfections in the portrait's proportions reveal an strange, uncanny, version of the original.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
As an artist situated within an abrasive and bustling metropolis like London, I utilise my art practise to make sense of the pace and complexities of the physical environment and the more technological networked spaces that make up the urban landscape. The relationship between human emotion and architecture and the required sociological considerations of urban planning influence the narratives I portray in my paintings. These narratives often consist of construction, gentrification advertising, rapid change and a sense of alienation. Urbanist Richard Sennett proposed that ‘Places’ are static and can be thought of as environments that we dwell in. ‘Spaces’ on the other hand are to be moved through. Working as a multi drop supermarket delivery driver, I often see the city space in motion, from the road and with the mode of labour in mind. Like a fly on the wall, this job offers a snapshot into the lives and localities of various others far and wide around the city. Thinking about this employed labour like performance or research as opposed to duty is key to the way I work. Using a kind of psychogeography within my painting practise and employment helps to unlock what isn’t always on the surface of the city fabric - the underbelly. With this in mind, I am for my paintings to portray municipal life in the present as surreal, jaded and jagged like the steel concrete and glass that forms its parts.
Artist featured by Saatchi Art in a collection
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