James Connolly Print

James Connolly was born in Edinburgh in 1868. To escape poverty, Connolly arrived in Ireland as a 14 year old member of the British army. Later returning to Scotland, his interest in Irish politics was encouraged by the strong Irish presence, leading to his return to Dublin in 1896 where he founded the Irish Socialist Republican Party & started a newspaper The Workers Republic. Spending 7 years in America where he campaigned for workers rights he arrived back in Ireland in 1910 where he campaigned for the Socialist Party alongside James Larkin. Connolly was one of the founders of the Irish Citizen Army in 1913. He was appointed Commandant General of the Dublin forces that occupied the GPO during the Rising. Connolly, unable to stand, was executed tied to a chair on 12 May 1916. James Connolly in front of the "Starry Plough", banner of the Irish Citizens Army. Connolly said the significance of the banner was that a free Ireland would control its own destiny from the plough to the stars. During the Rising, the banner flew over the Imperial Hotel, owned by James's greatest adversary. Also shown in the background a section of the proclamation which James co-signed. The red hand badge signifying his role in the ITGWU (Irish Transport and General Workers Union), while the predominantly green colours in the painting represent the colours of the ICA. The Easter Rising 1916 captured my imagination, as much as the aftermath of the actual event fuelled the emotions and sense of self-determination of the Irish people, now over a 100 years ago. My Project, which started in late 2014, was focused on the 16 "leaders", who were executed for their involvement. The project took 14 months to complete and resulted in 16 interconnected portraits. The 16 were a diverse lot. Ranging in age from 25 to 58, their occupations included headmaster, tobacconist, poet, railway clerk, university lecturer, printer, humanitarian, water bailiff, art teacher, silk weaver, corporation clerk, farmer, trade union leader, bookkeeper, chemist’s clerk, and newspaper manager. They were not military, nor criminal. They were extraordinary people who just had enough. The fact that they were ordinary people, really struck me and made me portray them without any military regalia or references. Most of the paintings do provide hints to their lives pre-Rising, to evoke the curiosity of the viewer as to their meaning and maybe a reaction to learn more about them. Every painting is the same size, 1m by 1m, depicting all with equal importance as the de-facto standard of Irish rebellion. When you will look at any of the 16 up close, you will find one or more recurring elements, like parts of the Proclamation, use of red paint, the dark background and Ivy. The Proclamation might be evident, the use of red paint representing their spilt blood. The dark background their destiny, but why Ivy? The Celtic meaning of the ivy deals with connections and friendships because of its tendency to interweave in growth, it is also a symbol of survival and determination, all so evident with the 16. Ivy seems to be virtually indestructible and will often return after it has suffered damage or has been severely cut back. Remember, the 1916 Rising wasn’t the first of its kind. The painting is framed in a black wooden tray frame, the painting placed inside the tray, symbolising a casket, the background edge between the painting and the tray is coloured red, to symbolise the spilt blood and the public rage that ensued.

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.