VIEW IN MY ROOM
United States
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Fine Art Paper
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8 x 12 in ($48)
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White ($80)
This painting was inspired on the dynamic experience of backpacking the world, where everything is fresh, unexpected, adventurous, empowering, and mind fulfillment. The viewers can find dynamism in the charcoal forms, completely unexpected but with rhythm and a flow typical on a everyday backpacker's life. Then on top, the world inspiring. why Oil and charcoal?? I made the world on oil because is a noble medium, it has a strong body, and the texture does an interested contrast with charcoal. Charcoal is raw, fragile, so fast that it can take you to the edge, leaves your technique completely naked, and i compare that to being in a new environment with an adventurous spirit.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I feel it is important for me to tell a story through my paintings. Life offers us both wonderful and horrible experiences that can fuel our inspiration and imagination. My paintings convey the light and the dark sides of many social issues and existential themes; I leave nothing unsaid. The stories I weave are created with a language I have created of symbols and elements that are interconnected with each other. Reality and the subconscious are my raw material sources. The world and our experiences bombards us with images every moment of the day and night and what reality does not offer you while awake, the subconscious does while you are asleep. There are inexhaustible sources of images to draw from, some of which go without meaning or intention from one side to the other, but are accessible at all times; it only takes a certain mental process of openness to reach them. Ultimately, my goal is for the observer to interact with the painting and to invite thought, interpretation and a dialectic between us.
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