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Leisure Print

soma pradhan

Singapore

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8 x 12 in ($100)

8 x 12 in ($100)

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About The Artwork

During the peak of Impressionism, the leisured class spent a lot of time in the act of recreation. Today, there are many more people seeking a breather in cities, for shorter periods. These are the times when they leave their workplaces, shed their armour and become themselves.I happened to find this little nook not far from Robertson Quay, beside one of the many hotels that dot the Singapore River's tiny hinterland. The people seen here are imagined in their various acts of leisure-reading, walking, chatting. They are a stone's throw away from bustle but are able to find their own space-and that is important for all of us.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A naturalised Singaporean, Soma Pradhan comes from a family of agitators and legislators with roots in coastal Bengal. She took a Masters in Botany and initial classes in painting beside the Ganges in places trodden by the likes of Mark Twain and George Mallory. After a decade of work in Delhi in textiles and fashion with a post graduation from NIFT, she moved to Singapore. There, she learnt object design, watercolours and Chinese ink painting at NAFA, bastion of the late, great Georgette Chen. Soma works across paper, silk and silver. Her paintings are available online at the Saatchiart.com and Theartling.com. She has exhibited at NAFA. She has been published in The Rappahannock Review, Anatolios Magazine, 3Elements Review, Paranthesis Journal and the Lumiere Review. Soma is inspired by the works of Tolouse-Lautrec, Wassily Kandinsky, Georgia O Keefe and other influences such as New Wave cinema, DC Comics and Japanese film. She seeks to constantly challenge and redraw the boundaries of the possible. Soma believes that the innovation in art which began with Impressionism at the peak of the Industrial Age, must continue in the digital, instant social age to keep it relevant. She believes this is possible through bold experimentation in material, interpretation of movement and the use of light.

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