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Aleksandra Batura

Poland

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About The Artwork

project "Mother's milk" / "Muttermilch", composed of images which live on the verge of abstraction, refer to a child's perception. These images exist as a memory, remnants of a state between wakefulness and sleep. There are also the landscapes which are not material, but they merge fragments and places taken from memory and imagination. They refer to the space of the original identity. They relate to what is hidden, what's underneath, what's at the root. In the beginning there is mother's milk, which is everything: relief, security, warmth, innocence, satiety, love, falling asleep, awakening, first memory, the greatest longing, desire, intimacy and fulfillment. In mother's milk the boundaries of sleep and wakefulness dissolve. It is neither warm nor cold. A baby feels safe and secure when the mother’s breast milk supply is there. But once it’s cut, there is nothing but worry and terror, hunger and pain, emptiness and unknown. When I was a child, I thought I heard how the earth spins. I'd closed my eyes and felt dizzy and lightheaded, as if I could feel the movement. The children remain as if in the fog. Childhood is neither easy nor safe, filled with insecurity, misunderstanding and loneliness. Lengths and distances are not yet easy to interpret or not easy or to measure. So they frighten, intimidate and confuse. The images mingle with sensations. Looking at a picture - in the broad sense of the word (Landscape, the sea, the rain in a park, rustling trees, reflection of the sun...) it happens an adult loses the sense of independence and for a moment, becomes an image himself, becomes a child, experiences relief.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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 “I am delighted by this exhibition. It displays a rare sense of beauty, the drama of the world and man's place in it. The paintings are technically bold and highly accomplished (...). It's a very pleasant surprise for me that something like this Is So close. There's a huge sense of drama and tension in the work and a great question mark regarding human existence. Also, a very dynamic organisation of space ... the images are superb" Prof. Andrzej Strumiłło about „The desert” project Aleksandra Batura (b.1982) a Warsaw based artist and mother of two sons. Aleksandra does easel painting. She has undertaken numerous video projects, experimented with painting and drawing techniques as well as designed and completed several mural paintings. Her work can be found in national and international collections.

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