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Phase 5525 Print

William Armstrong

United States

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About The Artwork

30" x 30", this oil on canvas painting has a depth of 1.5". The stretchers were custom made and raw canvas was stretched and primed by hand in a gallery wrap style. Hanging hardware is included. "Phase" refers to the rotational motion of the many components within an internal combustion engine, which, at certain points, all synch together. This synchronicity is defined as being "in phase". The somewhat stylized figurative subject of the composition was spinning at some point but has now stopped. The number 5525 is random and represents the total number of rotations which took place while the figure traveled from point A to point B. This piece was painted almost one year before September 11th, 2001.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I use various materials mixed and matched with formal painting elements to establish complex associations and alternate definitions between language and sentiment. I create polarizing, political, cultural, and social frameworks which focus on the destructive perfection inherent in the numerous iterations of global Capitalist culture. I interrogate our present system using informational fragments from anonymous sources, personal experiences, and various cultural observations, then integrate them into new, poetic compositions which speak to themes of social justice and disenfranchisement. Born in rural Alabama, I helped support my working class family by harvesting food and fire wood for the winter months. I also worked as a farm hand herding animals and operating farm equipment. ​ While attending the University of South Alabama, I studied fine art under Professor James Kennedy. I tried out for the university football team as a wide receiver and defensive back, ultimately failing to earn a spot on the team. I exhibited at multiple local galleries and at the Mobile Museum of Art. I became the first student member of the City of Mobile’s Art’s Council before completing my BFA in 2000. In August 2001 I moved to Brooklyn, New York and obtained my MFA in studio art at Pratt Institute under artist Linda Francis. ​ After 2009 I changed career paths and pursued a technical degree in high-end automotive repair. I graduated top of class in 2011 before working professionally for almost three years in different New York based BMW repair facilities. Over time I realized it wasn’t for me and in early 2014 I quit and recommitted myself to art. I love the culture and vitality of the arts community in New York and miss it tremendously.

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