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Plai Ohm Chakka Wan's Bottle Print

Millie Young

Thailand

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About The Artwork

Ohm Chakka Wan’s Bottle: Ohm Chakka Wan was an iconic elephant at Panead Klong Chang in Ayutthaya. Infamous for his tragic record of multiple human killings due to his twisted distorted tusks which wrapped side to side around his trunk. During the flood of 2011 in Thailand he was one of my nearby neighbour elephants when I was in a tent next to him with the mahouts while we were all displaced from the flood waters and we all shared the limited space in relative harmony. He was a gentlemanly soul his past lost to his present life. This painting was a direct result of our camping encounter and shows the sad reality of human elephant conflict - not in his dangerous disposition as he strolls slowly out from his morning bathe, but in our slack recycling as a beer bottle floats by in the water. Sadly he has passed away, old age and perhaps it was his time to go. A truly amazing elephant. This painting was originally exhibited in the Displacement Misplacement exhibition in 2012 and subsequently at the Trunkated Tales at the Neilson Hayes Library in 2015 and at the Elephant Memories exhibition at Golden Triangle Anantara Hotel and Spa, Chiang Saen in 2016. Since then the painting has undergone an additional of gold leaf and paint into the image you see today. The presence of elephants, a keystone animal, on our planet is becoming a more and more urgent issue as poaching Africa escalates and Asian elephant’s roles in captivity are questioned. Asian elephants and their role in Thai society in particular are fraught with complexities. In the 8 years living in Ayutthaya many of the magnificent bull elephants that reside there have passed for a myriad of reasons. There have also been over 15 births, but what is their future? Eventually there must come a point where their lives, their quality of life, their needs are addressed fully. This painting is a personal response to their presence in our lives.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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I animate therefore I am a teacher I teach therefore I am an illustrator I illustrate therefore I reflect my environment In reflecting my environment I am animated. Trunkated Tales, Millie's most recent exhibition had 30 new works and 30 selected retrospective works from the 15 years research and painting of Thailand’s captive elephants covering elephant encounters at Elephant Nature Park, The Thai Elephant Conservation Center and the Ayutthaya Royal Elephant Kraal. They are her personal perspective and each image is drawn from observations of the elephants. It is a privilege and a pleasure to get to know these amazing creatures and Millie is indebted to those who work hard to care for them. During these 15 years significant numbers of these elephants present in her work have passed away their lives a testimony of the complexity of issues in the Human Elephant Conflict. The exhibition is a celebration of the elephant, exploring this topic by focussing on issues of our impact on their lives, paintings that juxtapose our presence in their world. The acrylic layered paintings play with light and shadow, often using gold to add an uncanny life in the paintings which change moods as daylight changes From a rogue elephant running toward a STOP sign through a wide vista of paddy fields where a lone tree remains the only reminder that this was once forest; to near invisible mahouts on gaudily dressed ride elephants with signs saying ‘No Entry’ held together with string; seeing them in their working lives, with their mahouts struggling to earn their keep; to seemingly wild elephants juxtaposed by our Human encroachment in the forms of road signs, electricity poles, pastoral land uses, city pollution and garbage. The aim is to create dialogue around the issues not dictate simplistic answers or demonstrate over dramatic emotive vignettes in an attempt to shock people. The hope is that the audience will admire the beauty of these animals but question their situation. Mille came to Thailand in 2000 to research for an new animation. Her investigation, drawing and painting the elephants over the years has been exhibited frequently in the Brighton Fringe Festiva. In 2004 she had a one woman and six elephants ‘Chang, Clang, Swish, Bang!’ exhibition at The Booth Natural History Museum.

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