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United Kingdom
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10 x 10 in ($186)
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this abstract action work was the second painting in a series created between2014-2017 with reference to greek myth the 'Titanomachy'...the battle of the Gods. Acrylic paint applying a mono print process on 1.4inch deep stretched canvas,edges painted black,ready to hang. The technique I have used was chosen for it’s brutalist effect. Paint was repeatedly applied using plastic sheets and rollers causing paint to be stripped away leaving marks and gashes and holes on the surface of this defence implement to convey an ancient batte shield
Print:Artwork is infused to aluminum with specialized inks via heat-transfer
Size:10 W x 10 H x 0.88 D in
Frame:Not framed
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
LIVES IN LONDON UK WORK ABSTRACT MINIMALIST PAINTING About KJ Cook While attending art school in late 60’s and 70’s, a radical shift in contemporary art was taking place through the development of conceptual art. Cook explored and created video art, performance art, learnt skills in lithography, photography, film making and studied the history of independent film making. Traditional materials and skills were replaced by systems, graph drawings, cinematic- montage, notation, movement, sound, and spacial performance, installation and video performance. In 1974 Cook moved to the U.K. and trained in theatre design, drawn to new writing and the disposable nature of ideas over time and the final 3D results rarely given refuge after it's first public viewing. Cook worked extensively as a set and costume designer in theatre, ballet, opera and film, for nearly four decades, as well as working ten years in collaboration, experimenting in development of music/theatre. Throughout that time Cook has always maintained an independent art practise and studio in the U.K. with the emphasis on development of ideas and abstraction. Since the mid seventy's Cook's art work continued to develop using basic materials on paper, featuring automatic drawing and painting with no use of film or video technology or documentary tools. In the late eighties she began to paint monochromatic, minimalist work after a strenuous and persistent return to drawing, which continued into the late 1990's. Landscape of the body as well as nature of a disproportionate scale began to fuse and has continued to developed. Since 2010 Cook made a decision to gradually transition from stage design to painting without the cushion of script, scenario,libretto,dialogue, and has been painting full time since 2016.
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