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VIEW IN MY ROOM

Sleeeeeeeeeep Print

Paul Harris

Australia

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10 x 10 in ($73)

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About The Artwork

Oil on framed panel. This painting biologically, the most important circadian clock currently known to science is a dense cluster of neurons in the suprachiasmatic nucleus, a part of the brain directly above the optic chiasm, where the optic nerves cross on their paths from the two eyes to the visual cortex.Thus sleeeeeeeeeep friend. This clock measures the time of day, primarily based on input from outside light signals. An organism whose circadian clock exhibits a regular rhythm corresponding to outside signals is said to be entrained; the rhythm so established persists even if the outside signals suddenly disappear. If you take an entrained human and put them in a bunker with constant light (or darkness), they will continue to experience rhythmic increases and decreases of body temperature and melatonin, on a period which slightly exceeds 24 hours. Scientists refer to such conditions as free-running of the circadian rhythm. (Under natural conditions, light signals regularly adjust this period downward, so that it corresponds better with the exact 24 hours of an Earth day.) Sleeeeeeeeeeeeeep

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Paul Harris is an artist who lives and works in Brisbane, Australia. His main interest is portraiture and figurative painting. He has studied for several years at the Institute of Art at Windsor in Queensland. He has had several group exhibitions and is represented by The Norbertellen Art Gallery in Los Angeles. At present he is working out of The Cabin studio at Tarragindi, Brisbane, which is run by Jugglers Art Space. His aim is to give a sensual and tactile impression on the surface of the linen. The portraits draw upon a range of cultural influence such as Late Baroque, mid 20th century and contemporary style and horror. The artist wants the reader to be both enchanted and repelled by his work. He primarily works in oils and pastels and finds portraiture fascinating as a means of artistic expression. It is one of the oldest forms of art, the creation of life like images from coloured pigment. The contours and features of the face, and the skin tone and texture always present a compelling challenge to the artist. He likes to experiment with colour in his portraits and particularly with flesh colour which can provide a sensual element to the portrait. His aim is to project an image to the viewer of the painting and hope an exchange takes place between the viewer and the work. He wants the viewer’s imagination and thoughts to meet the work of art halfway.

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