VIEW IN MY ROOM
About The Artwork
Once again, symbols, in stark colors, this time in acrylics, dominate the setting. The innocent, the eviscerated male carcass, the shark figure, green as always. There is the " all seeing" eye in the Foghorn, the five fingered, " Hamssa ", a middle-eastern superstitious symbol, warding off evil. But nothing can stop this damned voyage, especially not once it is under a malignant sun. The sun I took from De Chirico. Swirly blue skies reign over this doomed deck. The original is eighteen by twenty four, framed in a beautiful ornate gold, wooden frame. To read the thoughts I hold about my works, and those painters throughout time I believe have produced similar ones, please copy and paste this url in your address bar; http://fatalismpaintingmovement.blogspot.com/ Original is acrylic on canvas.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.
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