VIEW IN MY ROOM
Once again, symbols, in stark colors, this time in acrylics, dominate the setting. The innocent, the eviscerated male carcass, the shark figure, green as always. There is the " all seeing" eye in the Foghorn, the five fingered, " Hamssa ", a middle-eastern superstitious symbol, warding off evil. But nothing can stop this damned voyage, especially not once it is under a malignant sun. The sun I took from De Chirico. Swirly blue skies reign over this doomed deck. The original is eighteen by twenty four, framed in a beautiful ornate gold, wooden frame. To read the thoughts I hold about my works, and those painters throughout time I believe have produced similar ones, please copy and paste this url in your address bar; http://fatalismpaintingmovement.blogspot.com/ Original is acrylic on canvas.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:24 W x 18 H x 2 D in
Frame:Gold
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.
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