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Subjectus in the Well of Memory: concentration and distraction Print

William Rafael Marquina Buitrago

Ecuador

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About The Artwork

"Subjectus in the Well of Memory: concentration and distraction" is another of the paintings of William Marquina, elaborated on a sheet of aluminum. The artist worked the figures of the two girls drawing with a technique of wear by abrasive tools (using pure paper sandpaper) on its surface and in certain areas highlighting the forms with a pictorial style pop drop-wise with Acrylic colors. The two figures appear: a revised the foot in concentrated attitude and the other with the lost look or in a State of Enchantment to the pool of memory, where perch. This piece is inspired by a theme of the ancient philosophy of Sparta to nearly a tradition long before Homer, which worshiped the goddess Thetis by dances that were held in his honor with canticles and offerings (fees). Alcman's who can believe stood out from their choreographers, comes from their poetic songs the old concept of ousia, which Aristotle later came to study and reveal as a key principle in his metaphysics as substance or entity. The highlights of this principle are the path through which the maidens (subjectus) dance in their March to thetis to deliver their offerings, and post or goal where should go or return (fate), etc. In that journey Alcman plays the Subjectus in his poetry with a double character, dual or of unfolding, that in our society later added culture as "subject" and "be", two antagonistic ways live with which the contemporary man, the essence of all historical knot, and certain attitudes on the market, politics, society , and in general the life of humanity, etc., always one as default and the other as a virtue. This piece was shown on the web page of the Agora Gallery in New York, from February 07, 2014, 2015. Dimensions: 76 X 122 cm; Technique: Industrial paint on aluminum with abrasive wear Board; Year: 2013. It requires no frame and is signed on the back. Keywords: philosophy, Aristotle, substance, path, dance, girl, painting of drip, aluminium, brightness, color, well, memory

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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