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The Camel Rage - Limited Edition Museum Print 1/40 > 40/40 individually signed and numbered digital - Print
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The Camel Rage - Limited Edition Museum Print 1/40 > 40/40 individually signed and numbered digital Print

Arnvid Aakre


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12 x 8 in ($70)

12 x 8 in ($70)

24 x 16 in ($128)

36 x 24 in ($210)

48 x 32 in ($330)

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About The Artwork

The Camel Rage is a personal 2016 paraphrasis of Picasso's Guernica, about the civil war in Spain. This is about a world-civil war, if we are not awake enough. It's said that if we continue to pollute the earth, mother earth will turn against us. I believe if people continue to misuse religion for political purposes, as the islamists are doing today, the camels will turn against them. Magial realism can turn real, too real. As said, I had Picasso's Guernica in mind, but the only direct part of Guernica is the horse in that painting, here turned into a camel, and the hanging lamp. But those are only elements, what is more similar I guess, is the frustration about the situation today. The problem is not one religion, neither religious or not, but foremost, fanatic or a free soul. This Limited Edition of 40 Fine Art print in Museum Quality, is made in co-operation with an art printer with long experience from both analog and digital Fine Art printing. Art printing with Giclée pigment print on paper from the historical papermaker Hahnemühle who got an uninterrupted tradition of quality papermaking 1584. All my limited edition digital artworks are sold with a DigiSeed Certificate. This mean that 40 digital files are individually signed and numbered from 1/40 to 40/40. Each numbered file is only printed once, and then sent the buyer for a security backup of the artwork, and more. I destroy the file after the buyer confirmed it's arrived. See for more information.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 8 H x 0.1 D in


Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From international artprojects, one-man shows, group exhibitions and as a curator for a artist led gallery - I moved away from the western art scene. Lived in a country with five thousand years of art history, and with contemporary egyptian artists for nearly fourteen years. Today my art is less an reaction, and more an interaction. *********MY_ART_STYLe**************** My first exhibitions was very much part "the New Wild", an art expression today often defined as neo-expressionism. Still, I was part of performance art projects, and an art critic once said that I "use figuartion as an excuse to paint abstract" - and yes, that's pretty true as well. *********DEVELOPING_MY_ARt******** Apart from working in the wave of "Heftiges Maleri", performance as curating, I have never used photo in my artworks, but included photographers in my art projects. My take on photography has been from documenting polaroid photos with their frames on canvas, to the painted serial "unsuccessful family photos". After this serial I did a number of paintings (on canvas) where one of the main focus was to cut a motive so much that the viewer had to imagine what was outside the frame. *********POST_ANALOG_ARt************ Most of my time the last ten years had been to develop and personalise an "post analog" art expression. "Post analog" is normally what's called digital painting and drawing, and it's first of all a tool. Still those who have been working in oil on canvas, have to learn a new way to work to get the best out of acrylic paintings (- and vice versa). It's no difference with digital art, as one can't take the experience of analog painting (as painting on canvas) directly over to post analog media. I still have the same way I express myself through art, but it took a many, many years before I could say that I was able to create art as freely in a post analog media as I did in my studio on canvas. *********DIGISEED_ARt*************** After having found the new post analog tools I had to create a new way to make sure the buyer of post analog art could become the owner of the digital file, and not only what is made from this file. This is what I call DigiSeed, and this information can be found here:

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