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Australia
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10 x 10 in ($66)
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White ($80)
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‘We Were Here’ tells the story of the climate crisis. Two rare glossy black cockatoos fly across a burnt and flooded landscape, where little else survives. It would be a bleak image, except that the glow of rainbow colours on the water represents hope for change - hope that we can work together to address climate change and, in doing so, save many critically endangered species from extinction. I painted this piece during the Australian bushfire crisis of 2019-2020. I used a technique called encaustic (hot wax painting) - a process developed by the artists of Ancient Greece, who used a live flame to burn beeswax and raw pigment into substrates to create permanent artworks that would not fade or degrade over time. This piece has ethereal and gem-like qualities, created by the many layers of polished wax and pigment and a touch of gold. Created on cradled and braced birch board, this piece does not need to be framed. It is prepped with picture hardware and ready to hang.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Australia
Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney
Artist featured by Saatchi Art in a collection
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