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United Kingdom
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10 x 10 in ($48)
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White ($80)
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This is an oil painting on plywood. It is strung and hooked with painted white sides. I spend a lot of time looking at people from elevated places such as bridges. For this series I have been around and about in my home city of London. This is from The Millennium Bridge near The Tate. It is late afternoon in spring when shadows are long. I wanted to try to reflect the movement and pace of the city and the subject, but also to inject the contrasting feelings both of belonging and isolation that big cities bring.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Highly contrasting light and shadows and unusual angles are vital to my composition and add to the sense of being the observer. My paintings are constructed in an intuitive way and bring in a more abstract use of colour and form so as not to place the viewer in an actual setting but more of a feeling of where they might be. My figurative pieces have been described as 'views from a surveillance camera' and evoke conflicting feelings of detachment and closeness, where the viewer gets to become a spy and has a birds-eye view of the scene below. Over the last few years, I have been involved in a figurative group of painters called 'Urban contemporaries' as well as an east London artist collective called Creative Bloc. and am often involved in group shows as well as exhibiting as an individual. Over the years, I have worked in many different mediums and still work on abstract works.
Artist featured by Saatchi Art in a collection
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