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VIEW IN MY ROOM

Braid Line 1 Print

Stacy Lynne Wendkos

United States

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About The Artwork

When done right, the braids of a show hunter are meticulous. Each braid exactly the same with exactly equal spacing. Often sporting up to 40 braids, this makes the neck look long and elegant with beautiful sinuous lines. Taking advantage of these lines and the bending of the neck, along with how the light and shadow play along the neck allowed me to create this image. My goal with this image was to focus on the small details, but still follow the lines. The point of focus is also the brightest spot, so all lines lead the eye there. My work tends toward the contrasty and gritty in order to create dimension using light, shadow, and detail. I want the viewer to feel the impact on a visceral level.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Stacy Lynne Wendkos first discovered horses when she was 5 years old and watched the movie “The Black Stallion” for the first time. Having that little girl love of horses, it wasn’t long before she was enrolled in riding lessons and was instantly hooked. Five years later, she discovered photography when she got her first camera, a Kodak Disc, with allowance money she had saved up. In high school, Stacy was given her father’s old manual Minolta SLR with two lenses and the spark of interest Stacy had for photography ignited into a full-fledged passion. Horses and photography have remained central to her life ever since, although they stayed on separate tracks the first half of her life, learning and growing within each discipline. She began developing black and white film and prints, mastering the ins and outs of the darkroom. During a year abroad at the Royal Melbourne Institute of Technology in Australia, she honed her skills for framing and using light and shadow. She also experimented with alternative processes for developing images and studied the theory behind creating color photographs. Though she was drawn to photography, she shelved her camera for several years while attending law school. Upon graduation, Stacy realized how much was missing from her life without her two core passions, and she soon resumed both. It was also around this time that she found a deep appreciation for the technicality and complexity of dressage training. She started shooting equestrian friends in competition refining her timing, and technique to get the best possible images. An opportunity arose to be the official photographer of a dressage breed show and Stacy chose to join her two passions into a professional career. Since starting Stacy Lynne Photography in 2007, her images have appeared in national and international publications. While equestrian competition was shut down at the beginning of the Covid pandemic, Stacy pivoted her business to equine portrait photography. That has since morphed into selling fine art photography privately and from galleries, while continuing to do portrait sessions for her clients. Stacy’s photography has been inspired by many different styles and genres. Throughout school, she maintained an interest in all art and studied its history. Her style is influenced by contemporary photography masters - Man Ray, Robert Mapplethorpe, Annie Leibowitz - as well as National Geographic photographers.

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