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South Africa
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During the Watershed Exhibition at the Origins Museum at WITS University in 2018, my sculptures of hyenas, led to guided walks along the watershed, the drainage divides at the high ridge running through the city of Johannesburg, I take the hyena sculptures on a ‘walk’ along the watershed; this resulted in a spur-of-the-moment stop frame animation (https://www.youtube.com/watch?v=4oF6VebbPVk&feature=youtu.be) which complemented and gave life to the sculptures while on display. I describe also the ways in which walking opened up conversations. The conversations that took place during the walks, and in relation to the sculpture and animation, developed a sense of custodianship of the city and provided examples of citizenry in public spaces, bringing together outrageous opposites in a space I could not have imagined before. My brother, animator Henk Coetzee, was in town when Watershed was running at Wits in September 2018. Over a braai (barbeque), we decided to take the sculptures out onto the watershed that an environmental engineer, Chris Brooker, had just plotted for me. He used watershed delineation software with the City of Johannesburg 2015 LIDAR digital elevation data to find the watershed. It made sense for the sculptures to ‘walk’ the inter-oceanic watershed that cuts through Johannesburg, so extending engagement with the theme of the art/science program through the impromptu animation. The arbitrary act of taking the sculptures on an intensive stop frame animation lope showed us the way. These adaptive animals can walk up to 60km in one night to find food. I can hardly do a 20km hike in a day. As has often been my approach, I invited participants to accompany me, and 67 people walked the watershed with me during September 2018. Some imagined that watersheds were the grandest of underground rivers, but each time that I explained that the watershed was the high ground from where water flowed, the watershed made more sense. Johannesburg had gold beneath it, but no impressive river that defined its layout. I elaborated that this city sprung up rapidly because gold diggers rushed to the city to make their fortunes. But the water that meets the city’s needs today, unlike other cities of the world, comes from another country, Lesotho.
Original Created:2018
Subjects:Animal
Materials:Wood
Styles:Conceptual
Mediums:3D SculptingWoodFound Objects
Print:Giclee on Photo Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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South Africa
My works are often made from industry waste, such as mining core, mainly to reduce my environmental footprint, and to a lesser extent because of limited capital. When making site specific work, I engage with the public moving through that space to ensure the work has meaning and participatory capacity for them. This practice, along with my concern for the environment, has led me to make work that has an actual impact on the environment. PUBLICATIONS: Report on the Anthropocene Visioning Workshop, 15-18 November 2016, Cape Town, South Africa. GRAID project workshop. Centre for Complex Systems in Transition, Stellenbosch University, South Africa. Authors: Hamann M., Biggs R., Pereira L., Preiser R., Hichert T., Merrie A., Cloete D., Poskitt S., Loubser G., Salley R., Blanchard R., Coetzee H., Fioramonti L., Gomera M., Hermanus L., Johnson G., Johnson L., Karakashian A., Khan Z., King N., Mannetti L., Mbete S., Moteane S., Mthembi F., Mumba M., Nilsson W., Nkontwana P., Odendaal P., Sanchez Betancourt D., Shimahara E., Xaba N., Ziervogel G. This report should be cited as: CST-GRAID. 2017. Climate and Art WMO BULLETIN 67 pg 41-51 By Erica Allis , Coleen Vogel , Hannelie Coetzee , Michelle Rogers AWARDS, Invitations & GRANTS RECEIVED 2018 Johannesburg City Transformation & Development Agency invitation to attend the Portland Oregon Eco Disctricts Workshop invitation to develop green corridors through Public art with the artists collective of active citizens, Water for The Future (NPC 2018). 2017 South Africa Trade and Industry funding to scientifically research and develop a new patented innovation public art vertical gardens at NMMU to show the new Wild Wall Tile technology invented by the artist. 2017 University of Stellenbosch Complex Studies Department and Stockholm Resilience Institute’s Anthropocene resilience development colloquium, presenting Eland and Benko 2015 as an example of how arts and science mutually benefit through partnership. 8-9 May in Johannesburg. 2016 (BASA) Business and Arts South Africa small business award with Kirchhoff Surveyors for Eland and Benko, Nirox Sculpture Park 2015. 2016 University of Stellenbosch Complex studies department and Stockholm Resilience Institute’s Anthropocene scenario workshop to imagine a better future. 2016 Clare and Eduardo Villa Grant new sculpture, Glinsterjuffertjie, 2016 for Nirox Winter show co-curated by Yorkshire Sculpture Park’s Helen Pheby.
Artist featured by Saatchi Art in a collection
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