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The Menk Print

Peter Cunis

United States

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About The Artwork

Laminated maple longboard deck covered in faux fur, trucks and wheels (fully functioning, but I would not ride it). Eyelets can be screwed into the top side of the deck and wire attached if display from a ceiling is desired. Signed on the bottom truck. This was in a plexiglas case when it was exhibited in “Conscious and Unconscious: Subjects of the Real & Surreal”. The primary photo captures the color, the extra photos with different lighting and angles are showing the form and textural details. A homage to Méret Oppenheim referencing transformational animal qualities of an archetypal symbol of popular culture. This piece was exhibited in the Conscious and Unconscious: Subjects of the Real & Surreal Show in 2015. Shipped wrapped in bubble wrap and securely boxed, it will arrive safely.

Details & Dimensions

Print:Giclee on Photo Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Currently living in Colorado. Medium/techniques: Drawing, painting (oil, alkyd and acrylic), wood burning (pyrography), ceramics, sculpture (assemblage, found object), collage. Artist Statement: “You have a unique personal vision”, was the reaction I got from a curator at an established Soho art gallery on West Broadway in New York City years back. He added, “Unfortunately, it’s not what our client base buys here”. It made sense. The day I was there, for their walk-in artwork/portfolio reviews, on the walls there were hanging very large photo-realistic oil paintings of horses. I thanked him for his suggestions and recommendations to take my work to some places in Greenwich Village. I like it when people are viewing my work and someone says, “I’ve never seen anything like this”. It’s both bad and good. Bad in the way that it might not directly connect with a movement, genre or artist. It doesn’t look like anything else out there. It’s good in the way that it might be considered idiosyncratic, perhaps unconventional; something new that might be referencing historical aspects, or not. I’m going for permanence and durability. From ceramic and metal to pyrography (wood burning) to paintings with or without gold leaf to assemblages including, or not, found objects. Figures, animals (intact, partial or skeletal), places and situations - visualizations in an illusory context.

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