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“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness.  She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.”

Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights.

-

Work In Progress

I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection.

For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! 

But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. 

It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! 

It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.
“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness.  She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.”

Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights.

-

Work In Progress

I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection.

For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! 

But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. 

It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! 

It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.
“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness.  She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.”

Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights.

-

Work In Progress

I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection.

For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! 

But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. 

It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! 

It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.
“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness.  She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.”

Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights.

-

Work In Progress

I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection.

For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! 

But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. 

It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! 

It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.
“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness.  She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.”

Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights.

-

Work In Progress

I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection.

For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! 

But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. 

It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! 

It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.
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VIEW IN MY ROOM

Acacia Collage

Tanya Marie Reeves

Australia

Collage, Paint on Canvas

Size: 39.8 W x 59.8 H x 1.6 D in

Ships in a Crate

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SOLD
Originally listed for $3,100
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55 Views
5

Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

“Her modesty should never be mistaken for lack of courage. Her beauty never limited by colour or creed, nor her humble posture or loving heart given for weakness. She is quietly fearless with sharp senses and lightening prowess. She will never be bound by territory or pride nor quieted by trickery or indignity. She is a portrayal of grace and resilience, and with both empathy and fortitude on her side, she will shine.” Acacia is named for the Umbrella Thorn Acacia, one of the most recognisable trees of the African savanna. A haven for cheetahs, often portrayed sprawled along its’ branches to beat the harsh sunlight. The tree is as robust as they come, growing in sand dunes and rocky grounds of Africa's grasslands in areas with annual rainfall as low as 4 cm. This tree can survive the most scorching temperatures during the day, and freezing temperatures at nights. - Work In Progress I'm a huge fan of this demure portrait pose, her body language showing a soft vulnerability and yet with her shoulder exposed, the opportunity to represent her contrasting characteristics. This time I have chosen the cheetah, symbolising her strength of self, her swiftness, her fearlessness and diplomacy as well as her empathy and protection. For the most part, Acacia came together beautifully. The textile work is always a long, slow process but went according to plan (despite at one point having run out of fabric and having to wait on more supplies to arrive). The colours I had decided upon and mixed were perfecto and I didn’t have to make any changes or recolour any selections (which almost never happens). Woo! But of course, on the last leg, I did run into a big problem… I had initially planned on an actual profile of the cheetah to be designed within Acacias’ shoulder, the key element, and I even executed the work spectacularly… and hated it. Aesthetically the cheetah was just too much. I decided to lighten the design… still hated it. Changed it to gold… hated it more. It had to go. But the cheetah was the master of the piece, the most important symbol of the character I was trying to portray! It took a couple of days (and sleepless nights) for me to decide to take the cheetah back a step from a more realistic approach to a symbolic gesture… and wow, I couldn’t be happier with the results! There is about 30-40 hours of work here. She is spectacular and I can only hope you are as enchanted with Acacia as I am.

Details & Dimensions

Collage:Paint on Canvas

Original:One-of-a-kind Artwork

Size:39.8 W x 59.8 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Tanya Marie Reeves and I am a visual artist from Broken Hill, NSW Australia. I am a self-taught painter with over 20 years’ experience, working with both acrylics and textile applique. With beauty and passion, I portray empowered women upon the canvas by modern design likened to a combination of pop art, art deco, cubism, symbolism and art nouveau. I love to choreograph saturated block colour, simple lines, geometry and meticulous precision along with intricate patterns, textures and conceptual connotations. I am influenced by strong, empowered women whom are also vulnerable in-kind to be passionate, sensual and openhearted; I am influenced by colour and beauty, by divinity and magic, and by the spirited feminine connection with nature, the earth, and the universe. I am encouraged by my own growth from many of life’s tough lessons and mental health instabilities, and I am now driven to help other women open their hearts and minds, and ignite their desires to all of the possibilities within themselves.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Melbourne, Melbourne, Melbourne

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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