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Women and the Cesar's compression
Film and wolf
Different colors of the work - golden pait of the "Cesar" (extracted (in B&W) from the newspaper "Liberation"
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The square format of the work would be well highlighted in a deeper frame, style "amarican case". Here the square box 25.6 inches side, or 65 cm at a depth equal to the width of the rod is 2 to 2.4 inches (5/6 cm)
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Cesar and the Cinema - Collage

alain clément

France

Collage, Paper on Paper

Size: 14.2 W x 13.2 H x 0.1 D in

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$440

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About The Artwork

In the cinema, loves can be devouring, multiple, tender, sensual, daring. Movies can be popular or artistic. Thus, each year, "the small world" of cinema meets in Paris for a solemn, elitist ceremony, a copy of the American Oscars. We can find these ceremonial outfits vain, even provocative, since it is a question of judging the films of the year, but among themselves and without the film viewers, which is embarrassing or even abnormal There remains THE CINEMA, an ART, which meets that evening the Art of a great French sculptor César Baldaccini, through the distribution of multiple coveted trophies in gilded bronze "LES CESARS" ... 


Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:14.2 W x 13.2 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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