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When I lived in Brooklyn, the Empire State Building and I saw each other every day. I walked my dog down a street which dead-ended at the water, and there it was, faithfully, across the East River. Each night, it would be alight with different colors. It was a beacon, an enduring totem of all the strength and hope and aspiration that is New York City. 

When we cannot be where we have once been most happy, we are heartbroken with grief and longing. I do not live there anymore. Now I live, uprooted, in a very small town in a very remote part of the country. Sometimes my homesickness is overwhelming. This piece, whose title says it all, represents the way I keep NYC with me, and how it still and always will be the place I go in my mind, for the inspiration and the affirmation it has given me all the years I lived there. It is a declaration of my love of that great city, and of my dream to return to live there yet again.
When I lived in Brooklyn, the Empire State Building and I saw each other every day. I walked my dog down a street which dead-ended at the water, and there it was, faithfully, across the East River. Each night, it would be alight with different colors. It was a beacon, an enduring totem of all the strength and hope and aspiration that is New York City. 

When we cannot be where we have once been most happy, we are heartbroken with grief and longing. I do not live there anymore. Now I live, uprooted, in a very small town in a very remote part of the country. Sometimes my homesickness is overwhelming. This piece, whose title says it all, represents the way I keep NYC with me, and how it still and always will be the place I go in my mind, for the inspiration and the affirmation it has given me all the years I lived there. It is a declaration of my love of that great city, and of my dream to return to live there yet again.
When I lived in Brooklyn, the Empire State Building and I saw each other every day. I walked my dog down a street which dead-ended at the water, and there it was, faithfully, across the East River. Each night, it would be alight with different colors. It was a beacon, an enduring totem of all the strength and hope and aspiration that is New York City. 

When we cannot be where we have once been most happy, we are heartbroken with grief and longing. I do not live there anymore. Now I live, uprooted, in a very small town in a very remote part of the country. Sometimes my homesickness is overwhelming. This piece, whose title says it all, represents the way I keep NYC with me, and how it still and always will be the place I go in my mind, for the inspiration and the affirmation it has given me all the years I lived there. It is a declaration of my love of that great city, and of my dream to return to live there yet again.
When I lived in Brooklyn, the Empire State Building and I saw each other every day. I walked my dog down a street which dead-ended at the water, and there it was, faithfully, across the East River. Each night, it would be alight with different colors. It was a beacon, an enduring totem of all the strength and hope and aspiration that is New York City. 

When we cannot be where we have once been most happy, we are heartbroken with grief and longing. I do not live there anymore. Now I live, uprooted, in a very small town in a very remote part of the country. Sometimes my homesickness is overwhelming. This piece, whose title says it all, represents the way I keep NYC with me, and how it still and always will be the place I go in my mind, for the inspiration and the affirmation it has given me all the years I lived there. It is a declaration of my love of that great city, and of my dream to return to live there yet again.

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View In My Room

The Deep Dive of Memory is Sometimes All That Sustains Collage

Deborah Stevenson

United States

Collage, Paper on Paper

Size: 4.5 W x 8.8 H x 0.1 D in

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$515

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1338 Views

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Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

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Featured in Inside The Studio

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

When I lived in Brooklyn, the Empire State Building and I saw each other every day. I walked my dog down a street which dead-ended at the water, and there it was, faithfully, across the East River. Each night, it would be alight with different colors. It was a beacon, an enduring totem of all the strength and hope and aspiration that is New York City. When we cannot be where we have once been most happy, we are heartbroken with grief and longing. I do not live there anymore. Now I live, uprooted, in a very small town in a very remote part of the country. Sometimes my homesickness is overwhelming. This piece, whose title says it all, represents the way I keep NYC with me, and how it still and always will be the place I go in my mind, for the inspiration and the affirmation it has given me all the years I lived there. It is a declaration of my love of that great city, and of my dream to return to live there yet again.

DETAILS AND DIMENSIONS
Collage:

Paper on Paper

Original:

One-of-a-kind Artwork

Size:

4.5 W x 8.8 H x 0.1 D in

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Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine. Artist Statement: My influences include the pioneer collage/surreal artists: Braque, Ernst, Hannah Hoch, Joseph Cornell, Magritte, to name a few, as well as the German Expressionists in all media. Other influences in visual media include masters in film and photography, both contemporary and classical. A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions. The work arises in an ‘automatic’ way; I do not set out with an objective or goal in my mind when I sit down to make something. The images compose themselves spontaneously as I mix and move the masses of paper around on the table in front of me. I feel as though my eyes and hands facilitate the ‘arrival’ of the pictures that I make. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue."

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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