




Digital, Algorithmic Art on Paper
13.4 W x 8.7 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I was inspired by a passion for trees and the negative space they create in a woodland. I hope viewers will feel a sense of calm in the darkness of the forest. I like to experiment with images previously created.
Year Created:
2008
Subject:
Styles:
Mediums:
Mediums:
Digital, Algorithmic Art on Paper
Rarity:
Limited Edition of 25
Size:
13.4 W x 8.7 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Born 22.01.1950 in Lancing, West Sussex. Worked in commerce as a graphic designer for 25 years, then became a self employed interior designer before embarking on painting images.Began painting in 2006. My early work was mainly based on negative space with natural subjects. Inspired by Turner and the "Impressionists" use of colour. I am now drawn to images of natural patterns and shape to represent them in unexpected ways. In 2013 I embarked on portraits, beginning with a self portrait. I then proceeded to capture the family and friends, mainly from photographs as it’s difficult to ask people to sit for several sessions to get a good likeness. I’ve since been inspired and submitted work, to Grayson Perry, with his Artclub series featured on Chanel 4 during the lockdown and had a mention on the second series earlier this year. I’ll continue to attempt to portray the character of the subjects and develop new styles of approach.

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