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"Colère bleue [Le troisième mois]" Drawing

Patrick Gourgouillat

France

Drawing, Marker on Paper

Size: 5.8 W x 8.3 H x 0 D in

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$340

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About The Artwork

Feeling small, humiliated and almost nothing in the face of an adult's anger... This is the theme of "Colère bleue". Under a spring sun, a man bangs his fist on the table. A child, an uncertain pink silhouette, remains under the strange protection of a gargoyle that has appeared out of nowhere. A family tree imprisons fierce faces in its bark. "Colère bleue" also asks questions about authority and the legacy of education. This work is rooted in the very genesis of the 'Le troisième mois' series. The artist based his work on visits to psychiatric wards, creating a panorama of human "mal de vivre". Far from being heavy, this colourful series is an almost joyful exploration of the twists and turns of the human soul. This drawing was done with a felt-tip pen diluted with water (like a watercolour) on A5 paper. The colours were then fixed with markers. A film of spray varnish was used to hold the colours of the artwork, which is framed.

Details & Dimensions

Drawing:Marker on Paper

Original:One-of-a-kind Artwork

Size:5.8 W x 8.3 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Everything is important, everything is beautiful, everything is sad. Where do we start if we choose to tell life and make it a work of art? Michèle Mailhot My work is eclectic, both in its form and in the use of media. In general, I work in "series". I think that one of the ways of making things interesting is through diversity: the styles as well as the techniques are varied. It can be the animal world [The Animals], societal criticism [Human Behaviour], comic strip-like drawing [Mr Doggy], crazy images as if from a dream or nightmare [Short Stories], gentle melancholy [Sky Blue] or, based on my own experience, phantasmagorical worlds in a dazzling frenzy [Viva La Vida]. I am currently working on the latter series. These series are very different from each other. What interests me are the variations in energy that they imply for me. So I go from one thing to another like one goes through experiences. This is often what happens in art in general and in life in particular.

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