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Model Session – 26-03-24 – 1 Drawing

Corné Akkers

Netherlands

Drawing, Pastel on Paper

Size: 25.6 W x 19.7 H x 0 D in

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$1,780

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6 Views
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About The Artwork

Shine a Light This pastel drawing ‘Model Session – 26-03-24 – 1’ was the first I made during this month’s session. We were back at ‘De Blauwe Tram’ in Leidschendam, the perfect spot to have these sessions. It’s well equipped with lots of easles, privacy, no snoopers around and heating for the model. Last but not least, don’t underestimate lighting. You see, in such a gathering of multiple persons it’s almost impossible to set up lamps. They always blind somebody in a circle of artists around the model. That’s different from the freedom in a one-on-one session with a model back home but more expensive though. So we make do with what we got. There was enough light but not too much coming from the ceiling. It shined straight down, creating beautiful razor lights and shadows. Personally, I like those the best! Blue on the Menu Perhaps a bit of a disappointment but I ran out of Clairefontaine’s blue Ingres paper. In a previous art statement to January 23rd’s session I mentioned it. Back home I dived into my paper stash and I found two other suitable blue sheets. One Canson Mi-teintes and one velours. The first go is rendered on Canson using only Conté chalks (black and white). Reclined positions are often a challenge because of the complexity of diagonally placed limbs and torsos. In order to get the right page filling I decided to skip the lower left leg. Instead, I concentrated on model Mike’s torso and streched out hand. First, size him up, get proportions right and fill up the paper with white pastel. Some Derwent XL charcoal extra dark touches. Next, a bit of erasing to render subtle visible structures in the musculature. That’s it. Not bad for tonight’s first attempt.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:25.6 W x 19.7 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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